Dolph Ziggler Quotes
Quotes to Explore
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My mom really inspired me. She has always taught me it's not about us, it's about what we can give back.
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I sort of wrongfully judged 'Mamma Mia!' for so long. I thought of it as a jukebox musical that I wasn't interested in. I was so wrong.
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We were talking about how old quarterbacks can't throw before 10 am... Practice starts too early for us. Wake me up in the middle of the night and I can throw. I can throw anytime.
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Soon I knew the craft of experimental physics was beyond me - it was the sublime quality of patience - patience in accumulating data, patience with recalcitrant equipment - which I sadly lacked.
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All institutions have lapses, even great ones, especially by individual rogue employees - famously in recent years at 'The Washington Post,' 'The New York Times,' and the three original TV networks.
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There is one thing women can never take away from men. We die sooner.
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I keep dumbbells in my trailer, and I work out between takes.
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I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.
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Years ago, I noticed one thing about economics, and that is that economists didn't get anything right.
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Anytime that I've felt uninspired, I don't force myself to sit down and write. I only do it when I feel the impulse.
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For writers and artists, it's always a balancing act between wanting to be the center of attention and wanting to be invisible and watch what's going on.
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You have to shelve a lot of your inspiration. There's only so much you can do with one record.
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I saw the pilot for 'Girls' about six months before it aired.
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As a child, I wanted to go into advertising. I had a love affair with the advertising industry.
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I'm terrified about psychic people who have their little shops. I always walk across the street and go somewhere else. Imagine if one of them came out with their face all pale and said, 'Hurry up and enjoy yourself.' No one wants to know that.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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To put it simply and a bit crudely: Our economy is demanding more well-educated workers than our schools are providing. To attract this scarce resource, communities have to offer more than just jobs.
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I've always considered myself a filmmaker who writes stuff for himself to do.
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Absolute certainty is not something I strive for anymore. I've learned the hard way that destiny usually looks upon our most strident convictions with amusement, or perhaps even pity.
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It's funny. Some people remember that a lot more than I do. I remember certain parts of it, and if everybody who mentioned that to me had been to the game who said they were at the game, there'd be 800,000 people at that game, I think.
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My biggest fears aren't with my work. My biggest fears are walking through hospital doors. Once you can face that, being fearless about your work is easy.
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You better have your story down before you take it to a teenager.
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What happened in 2008 stopped people in their tracks. People stopped looking at their homes simply as commodities to exploit and starting thinking about how they might personalise that space and make them less bland and more autobiographical, and that's healthy, I think.
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When I was 5 years old, Hulk Hogan was the world to a lot of little kids.
