Philip Kerr Quotes
Religion was quite a thing in our house - we were Baptists. Some Sundays I went to church three times. If there was a talk on missionary work in the afternoon, I could be there all bloody day. But religion took its first big knock after Dad died.
Quotes to Explore
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I guess I have a talent for humiliation, a place within me that experience can't reach, which is terrible in real life but something that comes in handy in writing. It seems as though humiliation has become a career for me.
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I feel like the reason people feel like they know me is because I'm giving you myself in the music. There's where the connection comes from; you can't Twitter that.
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One thing about playing the real jazz is that you can't count it.
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The eyes of a poet discover in each person a unique and irreplaceable humanity. While arrogant intellect seeks to control and manipulate the world, the poetic spirit bows with reverence before its mysteries.
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It's like you have a child and you think, 'Everything that I've done up until this point is insignificant in comparison to being a father.' It's a beautiful, beautiful thing.
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It was all devastating. I'd never dealt with losing anyone close to me, and I didn't know where to put it in my life. I was very young then. Buddy taught me so much in such a short time.
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Just as good books give me the joys of being alive, bad novels depress me, and as I notice this sentiment coming from the pages, I stop. I also do not hesitate to walk out of a movie house if the film is bad.
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Becoming a vampire means completely changing your identity.
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One good thing is I was instilled with really good values. My mom treats everyone the same.
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People hate cardio. I hate cardio. But pick the five top songs that you love. Do your cardio during these songs, and you're done. I'd say 95 percent of the time you don't even know you just did it.
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I will not say anything about my father. Period. I don't have a dad.
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I know: I am a freakish geek. Or is that a geekish freak?
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What becomes a crime deserving capital punishment when the tables are turned is a matter of small moment when the negro woman is the accusing party.
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I have the rare privilege of talking to my dad every night at 10 p.m. and hearing about what he did that day.
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I work all day, do research, sketch my ideas, prepare for performances.
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I get to meet different directors and different people.
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Over the years, I learned that in my career, unlike in life, sometimes my wheelchair is its own automatic door opener. I was able to win the OWN competition by applying one simple principle: be funny, and admit you suck before anyone else can call you out on it. In other words, make the narrative of your failure a comedy.
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It doesn't really feel like it's got anything to do with me. I mean, I know I wrote it, and all that and invented the characters and made it up, but it's Mike's film, so doing the press and stuff, it feels a little bit inauthentic. I was just one component of it.
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I never really understood fashion as a career. For me, it was really a state of mind, more like something that I always had in my life.
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I was 46 when 'Cold Mountain' came out. I was settled. We had a nice house in Raleigh and a horse farm.
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Since most of the subjects depicted in this work are not real, it is not unreasonable to hope that connoisseurs will readily overlook their defects.
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If you give me fro-yo without mangoes, you're dead to me. If you say that Hawaiian pizza is gross, we're done.
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I don't just try to be funny.
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Religion was quite a thing in our house - we were Baptists. Some Sundays I went to church three times. If there was a talk on missionary work in the afternoon, I could be there all bloody day. But religion took its first big knock after Dad died.
