Philip Levine Quotes
My sense of a poem - my notion of how you revise - is: you get yourself into a state where what you are intensely conscious of is not why you wrote it or how you wrote it, but what you wrote.
Quotes to Explore
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I was just finishing up 'Spotlight' in Toronto - I finished it on a Tuesday and started 'True Detective' on a Friday. So I was missing rehearsals, unfortunately, which I hate and why I never like to work back-to-back.
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Michael and I talk at least every two weeks. He understands why I've done the things I have.
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A company logo may be the last thing cost-conscious CEOs focus on when they're looking to jump-start growth. Which is perhaps why it took more than two decades for White Mountain Footwear, a privately held shoe manufacturer based in Lisbon, N.H., to finally give its own emblem some serious thought.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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Historical fiction is actually good preparation for reading SF. Both the historical novelist and the science fiction writer are writing about worlds unlike our own.
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I decide intuitively what I want to do. When directors like Imtiaz Ali, Ayan Mukerji, Anurag Basu and Anurag Kashyap, who have stories to tell, come to me, why would I not be a part of it?
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My parents never talked to me like I was a kid. Maybe that's why I've been seen as mature.
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Do what you really want to do. That's why God put you on this earth.
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Speech is the twin of my vision, it is unequal to measure itself, it provokes me forever, it says sarcastically, Walt you contain enough, why don't you let it out then?
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I go running three times a week - outside in the park, come rain or shine, and I hate every moment of it. I hate everything about it. But I know it's important for health reasons and the reason why I run, in particular, is because my stage work is like cardiovascular work so I don't want to lose my breath on stage.
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You don't have to be scared of me, because I am loyal. Why are people so scared of creative ideas and so scared of truth? All I want to do is do good.
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I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.
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My voice has always been kind of distinct - even when I was four years old, my mom told me that people would be like, 'Why does your daughter always sound like a chain smoker?' I've always had this deep, raspy voice.
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I'm a crier. I always cry. I cry at the dumbest things, too. This is why I sort of steer clear of movies and films that I know are going to be depressing. I don't care how many awards they've won - I know they're good. I don't need to watch them, because I don't want to be depressed, and I don't want to cry.
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Why do you act? You act for an audience. In the theatre, you're in their presence. Film stars don't know what it is to have an audience.
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If I'm feeling desperate, I'll go out image-hunting. I'll go to news agents and stand at the rack flicking through magazines or go to second-hand bookshops. And then, bit by bit, like concrete poetry, I start to realise that I am drawn to particular things, and then I start wondering why that is.
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The reason why I meditate and pray in general is just to remind myself that it is not about me.
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Like John Major in her wake, Thatcher was convinced that she understood the Scots - yet couldn't understand why we remained so stubbornly resistant towards the notion of understanding her.
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The Brown decision promised that every child, regardless of the color of his or her skin, would have unequivocal access to quality education and an equal opportunity to pursue his/her dreams.
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It was an interesting question as to whether the BBC had a future in the digital world, and what form of market failure could justify the licence fee system.
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There aren't too many principles of proper business conduct with which just about everybody will agree. Two come to mind: 1. Unless you're a professional athlete, don't offer co-workers encouragement by patting them on the butt, and 2. Don't burn bridges.
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There's this creative thing in me that wants to have my work used - like the author of a book who wants it read.
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My sense of a poem - my notion of how you revise - is: you get yourself into a state where what you are intensely conscious of is not why you wrote it or how you wrote it, but what you wrote.
