Matthew B. Ridgway Quotes
Quotes to Explore
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My activism and sexual revolution in New York was a factor.
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Gandhi's ideas were rooted in a wide experience of a freshly globalized world.
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I've been a little bit Las Vegas and casino-obsessed. So, I love some trashy glamour... and I think nothing's trashier or more glamorous than a bit of a sheer number!
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The most important thing for poets to do is to write as little as possible.
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I have a theory that there are still parts of our mental worlds that are still based around the age of between five and eight, and we just kind of pretend to be grown-up.
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Atmosphere, not action, is the great desideratum of weird fiction. Indeed, all that a wonder story can ever be is a vivid picture of a certain type of human mood.
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The great opportunity belongs to him who can see it, to him who can grasp it. The better part of your chance is right inside of you.
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Just because you have a learning difficulty or difference doesn't mean you aren't smart.
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If you believe that your thoughts originate inside your brain, do you also believe that television shows are made inside your television set?
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To the soldier, luck is merely another word for skill.
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I've never been in a relationship before. I've only been in unrequited relationships where people haven't loved me back. I guess I'm a little bit attracted to that in a bad way.
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I love physical kinds of comedy and getting down and dirty and doing stunts. When I was growing up, I was always getting into fights with guys and usually punching out boys my age because I was a lot bigger and tougher. So I'm naturally accustomed to putting myself into the headspace of a girl who can take care of herself.
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If you don't have anything nice to say, don't say it at all. And if you do have to say it, make it really funny so I can screenshot it and save it for later.
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No war is inevitable until it breaks out.
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I love the immediacy of those old analog machines; it's really inspiring. You just set them up to play, and they go, playing the same thing until you switch the pattern.
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I say, you work eight hours, and you sleep eight hours - be sure they're not the same eight hours.
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In school, I had a tough time fitting in, and dancing was my way of being in my own element. As a teenager, I became a bit disillusioned with it. Even with competitions, I'd win, but still there would be tears.
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Fame, I mean, it's like a bubble, in a way. It's like something glittery, and it goes, and it can be forgotten fast.
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I definitely swear more than I should.
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There's something undeniably oxymoronic about a 'successful' rock n' roll band. Who wants to hear a bunch of success stories whining about their success? More importantly, what can be the drive behind a band, what can they have to rage against when they are successes? That's a dichotomy every successful band wrestles with.
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When I did 'Parent Trap,' I was ten. I was thrown off by the whole fame thing.
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Very, very rare that you do a job knowing that the audience is desperate for you to do that job. Most films you make don't get released, is the fact.
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I love a challenge. So when I did 'Friday,' I didn't want to do another comedy back-to-back. With 'Set It Off,' that was a little different from 'The Negotiator' and 'The Italian Job.' So for me, it's all about challenge. It's all about challenge and about just learning.
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Your job is to point that rifle into the other guy's face and shoot him dead.
