Janelle Monae (Janelle Monáe Robinson) Quotes
I've been very blessed to have worked with two incredible directors - Barry Jenkins on 'Moonlight' and Ted Melfi on 'Hidden Figures' - and it was a collaborative effort in shaping my characters, Teresa and Mary.
Quotes to Explore
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There is, therefore, no solution possible other than an economy directed by the workers through their organisations of control-through the workers' syndicates.
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I try to live my life in a holistic way, show that all of it intersects because I'm coming from the same place. Now, at the core of it, I'm just trying to connect and be there, so I'm trying to be there for my family, my wife, my kids, my friends.
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I am flirtatious by nature, but I have never hurt anyone.
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I often will write a scene from three different points of view to find out which has the most tension and which way I'm able to conceal the information I'm trying to conceal. And that is, at the end of the day, what writing suspense is all about.
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Since I started playing at the Olympics in 2000, I have always wanted to do a dress based on Wonder Woman. It should be interesting to wear. And hopefully, it will get me a gold medal.
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Perhaps if we all subscribed to the African concept of Ubuntu - that we all become people through other people, and that we cannot be fully human alone, we could learn a lot. There'd be less hatred and more harmony.
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It is not easy to get parts in mainstream films for most people of color. Hollywood and British writers are not writing parts for us, or the directors are not interested in casting us in parts that are color-blind.
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Practical wisdom is what's called for in situations that have a moral dimension to them.
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At Camellia Network, we believe if we can create a way of identifying every young person aging out of foster care, defining what they need, and giving a community of supporters a simple and clear way to fulfill those needs, we can produce radically improved outcomes for youth.
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On 'Death Valley,' I fought this werewolf, and he was picking me up and slamming me down. They put padding down in the garbage so he could really slam me down. They're flying around and I'm doing these jumping flying triangles pulling the guy down. It's just fun.
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People don't believe in me very much, but I have my teammates and my family that believe in me so much; they see how hard I work.
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I feel super lucky to be living in New York. I love the city, I love the energy. I always loved it. I had pictures of New York in my bedroom when I was young.
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The Gospel itself is angular. It always has been. It always conflicts. It always challenges every generation. It challenges different generations in different ways.
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The funny thing is, I'm not really a big reader, not a big fan of books in the first place.
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When I let go of what I am, I become what I might be.
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If there's anything that I've always said about myself is that to me, it's much more important for me to get to work with filmmakers that I've grown up loving and admiring.
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Let not him who is houseless pull down the house of another, but let him work diligently and build one for himself, thus by example assuring that his own shall be safe from violence when built.
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I have about 4 million Lego bricks. And then a few million in storage in case something comes up. I still pay for them. I buy my bricks just like everyone else. It's by far my biggest capital expense.
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The strength of the alliance on which our security depends is dependent in turn on our willingness to meet our commitments to them.
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I make no distinction between the mind and the spirit, and therefore no distinction between the process of achieving spiritual growth and achieving mental growth. They are one and the same.
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The next morning we saw nothing of the enemy, though we were still lying to.
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If nobody can sell mortgage-backed securities based on trillions of dollars of unpayable instruments, there's a lot less risk in the overall system.
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There was no way we'd ever get spoiled. Daddy made sure to instill in us a work ethic.
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I've been very blessed to have worked with two incredible directors - Barry Jenkins on 'Moonlight' and Ted Melfi on 'Hidden Figures' - and it was a collaborative effort in shaping my characters, Teresa and Mary.
