Janet Echelman Quotes
I recognize that it is through the engagement with my craft - by recognizing an idea and drawing it out, building physical models, collaborating with experts, constructing the sculptures at urban scale, and maintaining them through years of weather and interaction with the public - that a new art for cities has become real.
Quotes to Explore
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Every dogma, every philosophic or theological creed, was at its inception a statement in terms of the intellect of a certain inner experience.
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Live TV has an amazing pace to it. You've got to be able to think quick, make changes last minute, and be funny and fast.
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Everyone enjoys doing the kind of work for which he is best suited.
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Evolutionary psychology tells us that men, especially powerful men, feel invincible and entitled to spread their seed, and that women can't resist the scent of masculine power. Women, by contrast, are said to be more altruistic and collaborative, seeking power so that they can share it with others.
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When the Islamic revolution began in 1979 under the leadership of Ayatollah Khomeini, it aroused considerable admiration in the Arab street. It presented a model of organised popular action that deposed one of the region's most tyrannical regimes. The people of the region discerned in this revolution new hope for freedom and change.
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How the visual world appears is important to me. I'm always aware of the light. I'm always aware of what I would call the 'deep composition.' Photography in the field is a process of creation, of thought and technique. But ultimately, it's an act of imaginatively seeing from within yourself.
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I only buy a computer when it's two years old, after the glitches have been worked out.
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I dare anybody to look at me and say I'm anorexic. I'm so totally not.
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When I came to MSNBC, its identity as the place for politics was growing.
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It should take you 15 minutes to make a song, and then get out of there.
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'Ender's Game' has fabulous opportunities for spectacle, where appropriate, but there's also a tremendous central character. It's a balance.
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You can over-think things. If the script's good, everything you need is in there. I just try and feel it and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorising rather than being real.
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I don't study cricket too much. Whatever I have learned or experienced is through cricket I've played on the field, and whatever little I have watched.
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Well, the big products in electronics in the '50s were radio and television. The first big computers were just beginning to come in and represented the most logical market for us to work in.
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Sadly, in the name of progress, we have polluted the air, water, soil and the food we eat.
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I'm a military guy. I'm not a political character.
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I think in the bullpen you can tell during your warmups, if you have a good feel for it. But anything can happen once you get into a game. Sometimes you just wind up throwing it better than ever before one day without knowing why.
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In trying to scramble out of a hole, it sometimes digs it deeper.
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I love working the legislative process.
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I was doing a movie, 'Diana,' and I pulled aside the guy who was making the nose for Naomi Watts and said, 'I'm about to do 'Cyrano.' So he did various Photoshops of different looks that might work. I was really against any kind of 'Pinocchio' theater thing. The way that it's described in the play is this disfigurement.
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We will found our hypothesis in the general laws of motion, whose effects are every where the same, and whose influence extends to the utmost limits of matter.
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The one thing about the music business is that there is no rulebook. It's not like the NFL or something where there's four downs to get ten yards or baseball where it's three strikes and you're out.
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The sincerity of the art worker must permeate the song as naturally as the green leaves break through the dead branches in springtime.
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I recognize that it is through the engagement with my craft - by recognizing an idea and drawing it out, building physical models, collaborating with experts, constructing the sculptures at urban scale, and maintaining them through years of weather and interaction with the public - that a new art for cities has become real.
