Janet Evanovich Quotes
As writers, we all have an agenda, but if you recognize that agenda in a book, then you've failed.
Quotes to Explore
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The first thing my writing ever earned me wasn't an advance on a book; it wasn't a fee for an article or anything like that. It was, in fact, a residency at Hedgebrook Farm.
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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The books that help you most are those which make you think that most. The hardest way of learning is that of easy reading; but a great book that comes from a great thinker is a ship of thought, deep freighted with truth and beauty.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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On the streets, hanging out with the fellows, there are things you learn that no book can teach you.
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Every well-written book is a light for me. When you write, you use other writers and their books as guides in the wilderness.
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Learning another language is not only learning different words for the same things, but learning another way to think about things.
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You have to understand that while I pre-plot the meta story of a given book, I often have no idea of what will happen on the next page, let alone the next chapter. That's what makes it fun for me; I write the books the same way many people read them.
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It's easier to release an ebook than a print book.
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Let us remember: One book, one pen, one child, and one teacher can change the world.
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I want a platform that, like a book or a magazine, I can carry into the bath or leave at the beach.
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'Perfect' is about a set-up that looks perfect from the outside - beautiful country house, beautiful wife and mother, everything where it should be - and the deep fissures that, in fact, lie beneath that. 'Perfect' was partly a response to the shock of my first book, 'The Unlikely Pilgrimage Of Harold Fry,' being a success.
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I think that whenever a book is not a challenge, I'm telling the wrong story.
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I don't burn any calories trying to be masculine; I just happen to be from that world.
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For me, any book I'm writing is also a chance to get in and research and read and learn things that I maybe only knew a little bit about before.
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Just personally, I've been attached to 'On the Road' since 2007 and it was the greatest thing in my life when I got cast in it. I couldn't believe it. When I was 17 and read the book, I looked it up on IMDb and it said that Francis Ford Coppola was going to direct it.
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My favorite book in life is 'A Wrinkle In Time,' which I read before high school. It was my first introduction into the meeting of science and spirit and the universe and big thoughts and all of those interesting New Age-y concepts. It made everything make sense to me and opened up my mind.
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When I finished graduate school, I had a master's of fine arts from a prestigious institution, a manuscript that would eventually become my first published book - and almost no marketable skills.
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I'm a good person, I hope. But I'm never as good as I want to be, never as nice as I want to be, never as generous as I want to be.
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I like the idea of bringing cartoon characters to life... and although the Americans have already attempted this, their culture is not sufficiently humane to make it work.
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I've operated and launched newspapers all over the world.
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The game is No. 1. You are an adjunct to the game. In a studio, there is no game. You are the star. That's why you are there. For the game, you can't go away from the game and beat your chest. People are there to watch the game. You are there to supplement, not to override or overwhelm.
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As writers, we all have an agenda, but if you recognize that agenda in a book, then you've failed.
