Pepa Quotes
Quotes to Explore
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Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
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When you're collaborating with somebody, there has to be a spirit of cooperation. There are a lot of times when you just can't persuade someone to write a certain type of song, either musically or lyrically.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
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I like rock music because it's always sonically fascinating. There's never a method to what it needs to sound like. It's just however that instrument comes out that day, whatever the humidity level was in the air, what studio you were at. All that makes that tone that you can't re-create, so each song is like a person.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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Music's always been really cathartic. It's the best drug for me to get away from the everyday pressures just for a second via a good song.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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If you asked me to sing a modern song, I wouldn't be able to - I can't easily slip into that groove. But if it were a song by Nico or The Velvet Underground, fine.
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I try to tell a story musically in a song.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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When I see things that are inspiring, I must write a song about it. Some people make a t-shirt or slap something on a wall with paint, but I must make music and freestyle rap.
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I never have any problem getting enthusiastic with a good song and a good band.
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The song 'What Goes Up' was inspired as I was playing the piano and reminiscing about the Spaceship One launches I witnessed in the Mojave desert. It is an awesome thing to comprehend the magnitude of what a human being dreams and imagines can be realized.
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What you hear about the band is always going to be more disturbing than any particular song.
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Honestly, are we ever going to get over 'California Girls' by Katy Perry? I know it's old, but that song - I love that song!
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I've never dated anyone in Hollywood - or anyone famous, for that matter. I don't know that I'm ever gonna write a song that you will know who it's about.
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I made a decision when I started writing 'All is Song' to take the compliments I had for 'The Wilderness' and try to be confident and not overwhelmed by it.
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Occasionally, you get a nice surprise when someone covers your song in an extraordinary way.
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I feel like emotional content is the most important of any song, for any artist.
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My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
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So many people don't know that God loves them. They feel, 'Why would God love me? Why would He be interested in me?'
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I do like performing 'I'll Take Your Man,' because that was a hard song.
