Jason Gann Quotes
British comedy - which has been a big inspiration to me for many years - is very different to Australian comedy and different again to American comedy.
Quotes to Explore
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I started getting really interested in comedy when I was in middle school.
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Books are the heart of any home, and I spend hours going through books for design inspiration.
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First off, no one award-wise ever rewards comedy, which is... whatever. I don't care about that.
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I still want to do a romantic comedy or a western or a gritty independent film... there's so much that I still want to do.
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Inspiration is some mysterious blessing which happens when the wheels are turning smoothly.
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I really enjoy laughing at work, and I find that it's easier to do that when you're shooting a comedy.
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There are some die-hard 'Chelsea Lately' fans, and that's where the majority of my fans come from. Chelsea is really helping make comedy audiences hipper and edgier.
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There was such a relationship between the buffalo and the American Indian - the Indians would eat them, live inside their pelts, use every part of the body. There was almost no separation between the people and the animals.
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The Sino-American competition involves two significant realities that distinguish it from the Cold War: neither party is excessively ideological in its orientation; and both parties recognize that they really need mutual accommodation.
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I don't believe you can get into somebody's character but more that somebody comes in you. You just use yourself. In everything I play, I feel like it is me. I just say different things on different times and look different.
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Uncritical American boosterism - automatic endorsement of every government action - is myopic and self-defeating.
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You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.
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With female-oriented movies, unless it's something like 'Bridesmaids' or a romantic comedy, you've got to really worry about your opening weekend. And I'm always telling stories about women, not younger women, and it's just a much tougher audience to get to the movie theater.
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I think if you're trying to be funny, sometimes you're bending a piece of metal in a direction it doesn't want to go. And sometimes comedy just needs to find itself.
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In a basic sense, 'A Little Life' is a homage to how my friends and I live our lives. I wanted to push past the definitions of how we typically define friendship. It's a different version of adulthood, but it's no less important and no less legitimate than anyone else's.
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Comedy has become, I think, a very important branch of public intellectualism. But it still ain't Washington.
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I think music, in my opinion, is not about motivation in the way it's - it's not a running base. It's art. And my whole philosophy of music is different. It's almost like cooking and serving to people, seeing them smile and enjoying the food, really.
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My name is Frances Louise McDormand, formerly known as Cynthia Ann Smith. I was born in Gibson City, Ill., in 1957. I identify as gender-normative, heterosexual, and white-trash American. My parents were not white trash. My birth mother was white trash.
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When did I start comedy? I came out of the womb and did 10 minutes.
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All the guys that entered The Groundlings, like Will Ferrell, already had incredible confidence, but I watched shut down women that didn't even have a personality completely become different human beings because of the training.
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From America's schools, religion has been relentlessly purged. No prayers, no Bibles, no Christian symbols, no Ten Commandments.
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The first music-learning thing that I took seriously was piano lessons when I was a kid. I guess that was probably the only time that I was forced to perform music, because I had piano recitals, and my school also had mandatory music classes that had some performing required.
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British comedy - which has been a big inspiration to me for many years - is very different to Australian comedy and different again to American comedy.
