Yevgeny Zamyatin Quotes
None of us older writers had gone through such a school. We are all self-taught. And, of course, there is always, in such a school, the danger of goose-stepping, uniformed ranks. But the Serapion Brethren have already, it seems to me, outgrown this danger. Each of them has his own individuality and his own handwriting. The common thing they have derived from the studio is the art of writing with ninety-proof ink, the art of eliminating everything that is superfluous, which is, perhaps, more difficult than writing.
Quotes to Explore
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All autobiography is storytelling; all writing is autobiography.
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I was at art school that had quite a celebrated film course as well. I tried for that film course when I was 18, but they said I was too young. I tried this audio and visual design course instead. Two years later, I reapplied for that higher course, but they said I was still too young and to try in five years.
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I love writing journalism because it's all over in two hours and comes straight off the top of the head. Writing novels is soooooo much harder. It's the hardest thing I've ever done.
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As I'm writing, certain things become clear to me and certain things begin to feel right and make sense. The pieces start to fall into place.
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Besides black art, there is only automation and mechanization.
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Art is always criticized and always an outsider gets the blame.
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Writing books is a nice retreat. There's nothing quite like diving into a book for a few hours. That is a big time vacation.
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It was failing part of my Ph.D. that led me into novel-writing. By then I was 29, had remarried and had a second baby. It struck me that I'd lost my path in life and I felt frustrated. That's when I started to write.
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I think that the idea that I'm writing for many more people than I ever imagined has created a certain general responsibility that is literary and political. There's even pride involved, in not wanting to fall short of what I did before.
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Hard writing makes easy reading.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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Writing about a person whose struggle you wish you could solve is an act of compassion and also, frankly, opportunism.
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I like collaboration because, first of all, I'm good at writing lyrics. I don't know how to make beats. I don't play instruments. I'm not a good singer. So even when you see a solo album of mine, it's still a collaboration.
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Be aware of who in your life is actually interested in hearing you discuss your writing, and who's just asking to be polite. Listening to writers talk about their work is often excruciatingly dull.
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There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
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Arendt did have a certain snobbishness, though in some of her writing she expressed more democratic attitudes.
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My art springs from my desire to have things in the world which would otherwise never be there.
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In art, the hand can never execute anything higher than the heart can imagine.
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Much as there are things about our own life stories that we can learn only from the systematic study of our dreams, there are things about the human condition that we can learn only from a systematic study of literature.
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Among all the kinds of serpents, there is none comparable to the Dragon.
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Why retire from something if you're loving it so much and enjoying it so much, and you're blessed with another group of people to work with like the gang on 'Hot in Cleveland?' Why would I think of retiring? What would I do with myself?
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I don't particularly consider myself an actor. I have no training. I love doing it, but I would never consider myself to be a colleague of an actual actor. That would be stepping way up in class on my part.
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Looking back, I'm surprised I had the nerve to do it, but I'm glad I did. Performing the songs and performing in film was just a part of my personality, just like football and boxing at one point in my life. I was able to lose myself in both of them, and that was a good feeling.
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None of us older writers had gone through such a school. We are all self-taught. And, of course, there is always, in such a school, the danger of goose-stepping, uniformed ranks. But the Serapion Brethren have already, it seems to me, outgrown this danger. Each of them has his own individuality and his own handwriting. The common thing they have derived from the studio is the art of writing with ninety-proof ink, the art of eliminating everything that is superfluous, which is, perhaps, more difficult than writing.
