Wayne Coyne Quotes
Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
Quotes to Explore
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I had a bad conscience until I discovered that having a bad conscience about something so gravely serious as leaving your children is an affectation, a way of achieving a little suffering that can't for a moment be equal to the suffering you've caused.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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African Americans are one of the oldest ethnic groups in this country. We been here since the beginning. Before the beginning.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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We started by playing girls who only married at the end of the picture. We didn't play wives. That came later. But the most dreadful thing was when a star had to play a mother. That was the beginning of her professional end.
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Through all the bad guys that I've played, they're justifiably bad - they have their reasons. It's been important to me.
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As much as I enjoy traveling and playing on stage as an artist, I really find my true sense of purpose in a room writing a song.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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It was at the beginning of 1934 while working on the emission of these positive electrons that we noticed a fundamental difference between that transmutation and all the others so far produced; all the reactions of nuclear chemistry induced were instantaneous phenomena, explosions.
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The past is but the past of a beginning.
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Technology itself is neither good nor bad. People are good or bad.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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'Deacon Blues' was special for me. It's the only time I remember mixing a record all day and, when the mix was done, feeling like I wanted to hear it over and over again. It was the comprehensive sound of the thing: the song itself, its character, the way the instruments sounded, and the way Tom Scott's tight horn arrangement fit in.
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Sometimes videos make a bad song very tight.
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I am beginning with the young. We older ones are used up. Yes, we are old already. We are rotten to the marrow. We have no unrestrained instincts left. We are cowardly and sentimental. We are bearing the burden of a humiliating past, and have in our blood the dull recollection of serfdom and servility. But my magnificent youngsters! Are there finer ones anywhere in the world? Look at these young men and boys! What material! With them, I can make a new world.
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I am so far more secure and more grounded and more know who I am than when I was in my 20s.
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Every intelligence agency in the world believed that Saddam Hussein had had weapons of mass destruction, precursor chemicals. The inspectors, over a period of ten years, had managed to gain access to much of those precursor chemicals.
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Just a reminder, what other people think of you is none of your business.1.
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Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
