Jerry Coleman Quotes
Quotes to Explore
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We all, as engineers, doctors, have a big responsibility to bring smiles on the faces of suffering humanity.
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To write a good mystery you have to know where it will end before you can decide where it will begin... and I've always known where it will end.
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I have a classic taste with a twist, because classic never goes away.
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Everybody with a gun has a checkpoint in Lebanon. And in Lebanon, you'd be crazy not to have a gun. Though, I assure you, all the crazy people have guns, too.
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If somebody says they really like my playing I say thanks a lot.
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My opinion, my conviction, gains immensely in strength and sureness the minute a second mind as adopted it.
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I never gave it that much thought to pursue acting or anything, but I would definitely be a Bond girl if they asked me. For sure - I would make a great evil Bond girl!
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When I first got Yves Saint Laurent Couture, I didn't know how to take off a cape. I would ask Katoucha and Dalma - the real divas of the runway - 'Can you show me?' I've never been afraid to ask for help.
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I can't read novels while I'm writing a novel, because somebody's voice creeps in.
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When you assume negative intent, you're angry. If you take away that anger and assume positive intent, you will be amazed. Your emotional quotient goes up because you are no longer almost random in your response.
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I love the simplicity and freedom of running. A pair of shoes, and you are all set to explore new trails.
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When we're back home, I feel pretty domesticated.
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In most cases, my favorite Jethro Tull songs will be determined by how I feel about them as live performance songs, not by the recorded identity.
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It's funny, though, speaking of fathers and sons, because me and John Goodman played father and son, like, five or six years ago in the film 'Death Sentence,' and I got back with him again in 'Inside Llewyn Davis.'
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I'm not embarrassed about who I am. I'm not apologetic.
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I am not the kind of director who sits in a chair smoking a cigar talking with a microphone to 10 assistants. I need to move. To touch. To put a painting on a wall. To arrange a set.
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When I cook certain dishes, I smell my grandmother's kitchen, my grandmother's smells. I thought, 'What a wonderful way to tell a story.'
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I remember being in a history lesson and saying to my teacher, 'How come you never talk about black scientists and inventors and pioneers?' And she looked at me and said, 'Because there aren't any.'
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When we first met, I was trying to put a band together. I asked around at school for other guys who wanted to play in a band. Someone told me about a juvenile delinquent they knew who played bongos.
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Too often faith is used as an epistemological device to avoid the hard labor of straight thinking.
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The mind itself is of the form of all, i.e., of soul, God and world; when it becomes of the form of the Self through knowledge, there is release, which is of the nature of Brahman: this is the teaching.
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Grief is perhaps an unknown territory for you. You might feel both helpless and hopeless without a sense of a 'map' for the journey. Confusion is the hallmark of a transition. To rebuild both your inner and outer world is a major project.
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I don't want to slip into Johnny Borrell mode. I don't want to be singing that there's nothing on TV, nothing on the radio.
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Sanguillen is totally unpredictable to pitch to because he's so unpredictable.
