Jhumpa Lahiri Quotes
In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response.
Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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I just have to go out and fight my fight and fight to win.
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Because the nights bring the threat of invasion and terror to the villages, thousands of children in northern Uganda have become night commuters, leaving the nightmare of capture behind for the safety of the city.
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People who live in a glass house have to answer the door.
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I've had death threats, if you can imagine.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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The defiance of established authority, religious and secular, social and political, as a world-wide phenomenon may well one day be accounted the outstanding event of the last decade.
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The rebuilding of Iraq has been terrible.
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I was a very physical child... I was a tree-climber; I was a tomboy.
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You're in the lap of the gods. If people go, they go, and if they don't.
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I love 'Chaplin'; I mean I really love 'Chaplin.' I just think there's a grace and an elegance that's almost never been matched.
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I go to all these photo shoots, and each time I figure out something new about myself and what I want to wear.
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To suggest that you can't be both a mother who is completely in love with her babies, and a professional who is tough and tenacious, is ridiculous.
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No, you never get any fun out of the things you haven't done.
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Creating more and better jobs is how you build a strong economy.
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I don't trust Santa Barbara as far as I can spit. I am afraid that if I went back there, it's possible that I could be run through their system, their judicial system, and wind up in some county jail where I could be killed and I'm not gonna take that chance.
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I save everything. I have these carefully organized file boxes. Somewhere in there is a section of the 'New York Times' where I wrote 'The Border Guard' in the margin.
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I used to get a shiver if I thought about holding balloons, because I was scared of floating away.
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I'm not interested in being known for anything other than the work.
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I really do seek to create music that is timeless, ... Each project takes on its own life, and the songs from "A Time To Love" are the most appropriate for the statement I wanted to make...The most important thing is, when I do give the music, I'm satisfied with it, that it speaks for what I want to do...It is a different kind of lyric; it's very picturesque. I can see everything that I'm writing, I can visualize all those things happening.
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There's a million things that come through when you put songs together and it's kind of difficult to pinpoint exactly what triggers it on every occasion. It's just like somebody writing a screenplay or something like that.
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I don't think comic timing is the same as music timing, but I definitely find that I've learned from just writing in general that songs can be narrative without having a story.
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I've never been scared, but I'm very naive.
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In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response.
