Halima Aden Quotes
Sometimes I'll go with a long hijab, or sometimes I'll wear my scarf and go somewhat business-y with a blazer. Every day is something new.
Quotes to Explore
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When you're babysitting a kid, all you're seeing is a version of them, a small dosage.
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It is time for Hillary Clinton to permanently retire.
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My maternal grandmother - she was a compulsive reader. She had only been through five grades of elementary school, but she was a member of the municipal library, and she brought home two or three books a week for me. They could be dime novels or Balzac.
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My MELD score was pretty high. And the worse you get on that scale, the sooner you get a transplant. It's based on how sick you are. And believe me, I was pretty sick.
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That's my dream: one day, I want to standing on the stage on Broadway. I sing; my dancing is terrible, but I can be trained. That's my dream. That's something I really want to work on.
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People have become shallower. They view spending, entertaining, seeking leisure and enjoying as the main objectives of their life.
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The weak can never forgive. Forgiveness is the attribute of the strong.
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My first audition was for a commercial for the lottery. I didn't get it, so I hate the lottery.
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This is my first wuxia movie and I must consider this before trying to make something with my own.
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I have been known to hang out and party back in the day. I had a weekend that lasted a few years.
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I still have a young attitude.
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'Bruce Lee' didn't work, and there were apprehensions about what the fans might say. People might have commented that Charan could have waited for some time before selecting me again. But that's what makes it a real achievement to me. People want to work with me because of the comfort level; nobody would work with you again otherwise.
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What I particularly like about Broadway is the camaraderie and the friendship of other people in other shows. Everybody knows you're opening and cares about you. There's a real village atmosphere.
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Applause is the spur of noble minds, the end and aim of weak ones.
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My movies are painfully personal, but I'm never trying to let you know how personal they are. It's my job to make it be personal, and also to disguise that so only I or the people who know me know how personal it is. 'Kill Bill' is a very personal movie.
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Through my illness I learned rejection. I was written off. That was the moment I thought, Okay, game on. No prisoners. Everybody's going down.
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Never put a sock in a toaster.
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To come in and win three races already this year and maybe set a record by winning four is pretty unique. But guys like Mark Martin, Rusty Wallace and these guys are not wanting that to happen.
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As a youngster, I lived in Philly for 12 years, and I would go up to New York to do shows and make money - it was the dream to maybe be able to survive there and live there.
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Michael Fassbender is just a creative force: he finds authenticity in singularity with what he brings, and it's always authentic. He doesn't try to be creative and different for the sake of it.
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Long before we understand ourselves through the process of self-examination, we understand ourselves in a self-evident way in the family, society and state in which we live.
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When your tummy is full - even while shooting for long hours - you feel good.
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It is the task of the scenarist to invent little pieces of business that are so characteristic and give so deep an insight into his creatures, that their personalities clearly and organically unfold before the eyes of the audience so that the latter feel that the actions of these people are contingent upon their characters, that there exists some kind of a logical fate, and that nothing is left to mere accident or coincidence.
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Sometimes I'll go with a long hijab, or sometimes I'll wear my scarf and go somewhat business-y with a blazer. Every day is something new.
