John Hurt Quotes
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I turn up in Los Angeles every now and then, so I can get some big money films in order to finance my smaller money films.
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I've worked with people from Fred Zinnemann, John Huston, through to Richard Fleischer, all of those boys from Hollywood and so on, and Sam Peckinpah and then the Mike Radfords.
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I'd love to claim that what I have done in my life is of my doing, but it's not of my doing at all. I've blown around in the wind like a mad thing, influenced by this and that - like a piece of paper: like the boy in that scene in 'American Beauty' watching a piece of paper blowing hither and thither.
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It would be difficult to have any unfulfilled ambitions because I don't have any ambitions. I've never been that kind of performer.
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We're all just passing time and occupy our chair very briefly.
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My surname certainly suggests a man whose destiny has always been injury.
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I've never felt that anger is a very powerful emotion.
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I think love can be really tough. Because it involves ultimately an honesty to the nth degree that you are capable of. Once said, you've lost your deposit. It's best if you don't say it.
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Very, very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons. It's a great relief to feel that you're working with someone rather than for someone.
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Where humanity is going to find itself in, say, 20, 30, 40, or 50 years would be very difficult to predict, I think. There are moments, of course, when you think that it's going from bad to worse, but there are other moments when you think that human efforts are really flowering into something really fantastic.
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I've never changed the way I live. I still walk the streets; I don't give a damn. And everyone's very nice to me. But this new idea of being famous for no reason at all? I can't actually get my head round it.
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I don't like it when people shout on stage without any particular reason. It carries no weight.
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I put everything I can into the mulberry of my mind and hope that it is going to ferment and make a decent wine. How that process happens, I'm sorry to tell you I can't describe.
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Actors are not always the best judges. We have a peculiar idea of what we think we are, and sometimes it's best left to others to decide what we play.
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Acting is an imaginative leap, really, isn't it? And imaginations prosper in different circumstances.
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My father's a clergyman, and he was in the mission field for a certain amount of time in British Honduras, which is now Belize.
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I'd love to be one of those people who, whenever you see them, you feel pleased.
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Not everyone wants to see children's films, comics, and supermen.
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Essentially, I am an actor for hire. I am not a rarified creature. I do all these different things, and they all interest me.
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It's an immensely competitive business, and I can tell you the older you get, the parts are fewer, and the people who are proven performers are greater.
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You can see areas where maybe you got a bit lazy, perhaps, or you see when you were really on form. I think an actor is very like a sportsman in that respect. You have periods where you're in terrific form. Everything you touch seems to work and come right. And other times, when you're working really hard, it's okay, but it isn't scintillating.
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I'm fascinated by the business of belief, obviously, because it's so ever present with humanity anyway. And, you know, when you have science, which constantly talks of proofs, you have religion, which constantly talks of beliefs and faith and so on.
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Each day, as you get older, there is a new perspective on life. It's a progression of some sort.
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I've done some stinkers in the cinema. You can't regret it; there are always reasons for doing something, even if it's just the location.