John Schneider Quotes
In 'Hardflip,' you have a relationship where the father and son haven't seen each other in 18 years, but they find they're very alike: pigheaded, stubborn, passionate. It's a wonderful story of how you can't get away from how similar you and your children are.
Quotes to Explore
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I was a big 'Battlestar Galactica' fan and 'Star Trek' fan. I grew up watching those.
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I really do inhabit a system in which words are capable of shaking the entire structure of government, where words can prove mightier than ten military divisions.
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I've wanted to write comics ever since I figured out it was a job.
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The Western day is indeed nearing when the inner science of self-control will be found as necessary as the outer conquest of nature. This new Atomic Age will see men's minds sobered and broadened by the now scientifically indisputable truth that matter is in reality a concentrate of energy.
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Russell Brand is lovely, even though he's a weirdo.
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I consider music to be storytelling, melody and rhythm. A lot of hip-hop has broken music down. There are no instruments and no songwriting. So you're left with just storytelling and rhythm. And the storytelling can be so braggadocious, you're just left with rhythm.
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I am a very reclusive, private person.
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There is no problem that is not improved by effort, and no effort that is too paltry to be worth undertaking.
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I'm not the type of person that is forced.
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All business leaders need to be technologists, as every industry now has a Netflix or an Uber on the horizon, threatening to upend business as usual. Apps are driving this disruption, and every enterprise needs to become an app company.
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You never want to have that ticking clock and know that you had all this time and didn't use it.
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I don't normally vote. I'm lazy and I never bought into the 'Every vote counts.'
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I was rubbish at school.
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The flesh is the surface of the unknown.
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Spend enough time around success and failure, and you learn a reverence for possibility.
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As a kid, I dreamed of being a pop star, a glamorous woman and traveling the world. And I've done that all my life.
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When we write about Auschwitz, we must know that Auschwitz, in a certain sense at least, suspended literature. One can only write a black novel about Auschwitz or - you should excuse the expression - a cheap serial, which begins in Auschwitz and is still not over.
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If you want to test your memory, try to recall what you were worrying about one year ago today.
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But all that being said about modulation, if you're serving people delicious food, they won't complain.
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What I worry about ultimately is that when we're stripped of our privacy, when we're stripped of free will, when we start to merge with machines in a more robust way, at some point, we'll cease to be identifiably human. And therefore, I think our humanity is, in some ways, the thing that's under existential threat.
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My host at Richmond, yesterday morning, could not sufficiently express his surprise that I intended to venture to walk as far as Oxford, and still farther. He however was so kind as to send his son, a clever little boy, to show me the road leading to Windsor.
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As children, we develop some scorn for our parents and their imperfections.
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My father was a great admirer of music and the arts, so there was always a lot of culture in the house. As it happened, while my father was the ambassador in Portugal, the ambassador's residence had a piano, and so I started learning how to play it at the age of five.
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In 'Hardflip,' you have a relationship where the father and son haven't seen each other in 18 years, but they find they're very alike: pigheaded, stubborn, passionate. It's a wonderful story of how you can't get away from how similar you and your children are.
