Peter Navarro Quotes
A city should decide where it doesn't want to develop, saving at least some of the canyons and hillsides and wetlands from the bulldozer's blade.
Quotes to Explore
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My family and I had to overcome a lot to get where we are today.
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TV is like a school. It is easy to shoot for a film. In movies, you have a definite start and end. You know your character is there for a particular period.
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I'm interested not just in projects that I'll be starring in, but producing film and TV that's really quality and great for adults; and when I say 'great for adults,' it doesn't mean without humor, because I'm also interested in doing comedy.
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Creating things sometimes is difficult.
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I'm not a control freak.
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You have to love what you do to want to do it everyday.
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I can go to a country song, go right into it and make it sound authentic. And I think that's because of my ear as an impressionist.
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I really try to take care of myself. I really put forth the effort to make a regimen just a part of my life. When I can't, for instance if I'm in a location someplace and I can't work out because of the schedule of the picture or whatever it is, as much as I normally do when I'm home, I still do something.
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I have only got down on to paper, really, three types of people: the person I think I am, the people who irritate me, and the people I'd like to be.
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Throughout history, it has been the inaction of those who could have acted; the indifference of those who should have known better; the silence of the voice of justice when it mattered most; that has made it possible for evil to triumph.
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I am a certified yoga teacher and I love to cycle and swim.
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Fear may very well be a caveman fear of the predator, of the giant lizard chasing them - maybe that's what Steven Spielberg connects with so well in Lost World.
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I've always kind of been an in-the-moment kind of person. I don't think that far in advance or have any idea what's around the next corner.
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Polite conversation is rarely either.
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You can't come into this world without becoming its victim.
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Writing is always a restorative process. It's like paddling a kayak. When you're writing, you can't do anything else. You're in the space you're in. So, in that way, it's enormously centering and restorative.
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I never would have guessed that I would get a job for the way I sound. I would get notes about how I should lose my accent, and part of me thinks, 'How dare you! This is who I am! Millions of people want to sound like me!' But it's sensitive, and I have tried to change it, with little to no success.
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The highlight of my career? The Olympics, of course.
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Most of the results of using technical bugging devices were of little importance for my service. It may have been different in counter-intelligence, where bugs in flats, etc., were used to obtain a lot of information about what counter-intelligence was interested in.
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When I did 'Unforgettable,' it wasn't appropriate for us to take liberties with that music. There had to be kind of a fine line between what had made it so great and the fact that a woman was singing it. We changed some of the arrangements, but not too much.
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Our perception of time is really driven by our perception of the unfamiliar, vivid, and new.
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I've always tried to be very seductive. I want the paintings to draw you in. But I don't want to just glamour you. I want to make an image of the time we live in and reflect it back.
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A city should decide where it doesn't want to develop, saving at least some of the canyons and hillsides and wetlands from the bulldozer's blade.
