Johnny Christ Quotes
Every riff had to be perfect and heavy, collectively what we wanted it to be. If there was one person in the room who went, 'Heh, I don't think it is there yet, guys,' we'd scrap the whole song. I think that took a little bit of songwriting maturity for us.
Quotes to Explore
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With 'Girls'... I feel like there's an impulse to try to make it look better or neater or more perfect, and when I watch theater, television, movies, it's always the imperfection I'm always more attracted to.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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Canada is rich in hydrocarbons and other natural resources... India's requirements and Canada's surplus are a perfect match.
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There are no rules to writing a song.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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We had to go all through the night thinking that our baby was dead. When God showed him to us, he wasn't dead, he was sucking his thumb. God had him safe and sound. He is a miracle. He is so healthy, so perfect, and God has really, really blessed us.
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Growing up, I liked all the stuff that everyone else was listening to, like Motown, but the biggest group of all was The Beatles.
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My first songs were about animals and shoes. I wrote one song about PF Flyers, and one to my fish.
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Once you have perfect virtual reality, what else are you supposed to perfect?
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I don't think it's a coincidence that 'The War Room' and 'A Perfect Candidate' are films that have been consistently shown and available for rental for 20 years. These are films that are more about the moment in which they were filmed: they also have a great deal to say about larger issues about who we are as a country.
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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If you asked me to sing a modern song, I wouldn't be able to - I can't easily slip into that groove. But if it were a song by Nico or The Velvet Underground, fine.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.
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You hear ten seconds of a song, and you know it's OutKast. There's a strangeness about it because it's catchy, but it's not just pop for the sake of pop. They're pushing the envelope.
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When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.
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I don't like giving names to generations. It's like trying to read the song title on a record that's spinning.
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I'm the most terrific liar you ever saw in your life.
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I'm committed to working with teachers.
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My ambition is to do a good job. I never plan anything.
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But you know who you are when you're on your own out there in all that emptiness. There's no past, no holding on to the scraps that are all you've got left. Everything is that minute, or maybe tomorrow, not yesterday.
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Every riff had to be perfect and heavy, collectively what we wanted it to be. If there was one person in the room who went, 'Heh, I don't think it is there yet, guys,' we'd scrap the whole song. I think that took a little bit of songwriting maturity for us.
