Joseph Jacobs Quotes
Soils and national characters differ, but fairy tales are the same in plot and incidents, if not in treatment.
Quotes to Explore
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Characters who don't suffer have no interest to me.
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The film industry is mostly about unidimensional characters.
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Some of the biggest movie stars in the world are essentially characters.
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All of my characters are less than perfect.
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When I was a kid, I used to make up all these characters. I love comedy a lot, and I don't get to do it often. Somewhere in the middle, I shifted into doing drama.
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For me, it's first about the characters. I look for a character who is intriguing and challenging and different from what I've done before.
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For me, 'Mommy' was about developing very humane characters that would be very credible and endearing and work onscreen.
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I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
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I don't mind playing bad guys, but I love having the opportunity to play all different types of characters.
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I think I can see more clearly now - about how the pattern of past experiences has shaped who I am and the characters I have played - and I'm grateful for that.
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You know, I have some issues. But I just love to play different characters all the time, and I try not to repeat myself too much.
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As a Southerner, I love obstacles for my characters.
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I'm an actor, and everything about me - the way I perceive things, the way I have seen the world - has been in relation to characters and how I would want to play something or not play it.
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[Success] always starts with the material; it always starts with the truth and honesty of the characters that you read in the screenplay and that's rarely something that can be remedied if it's simply not there by the time you shoot the film. Thank God we had that.
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Usually, the creating of the book happens while I'm writing the book. I start with Chapter One, with a few ideas and a handful of characters, and the book grows from there.
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Anything that's different from your own realm of experience as a human being, whether it's driving a car or a boat, or using guns, anything that separates you from yourself and leads you more towards this character's existence is a big help.
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With so many incidents of identity loss via tape, some are wondering if they should get off tape.
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Villages are small and personal, and their inhabitants have names, characters, and personalities. What more appropriate concept on which to base our institutions of the future than the ancient social unit whose flexibility and strength substained human society through millenia?
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Martyrs are needed to create incidents. Incidents are needed to create revolutions. Revolutions are needed to create progress.
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I do that with all of my characters. They have one of the flaws I have, and I zero in on that flaw.
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If two people always agree, one of them is redundant.
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Everything's always about being homogenized and following in a group. The people who stand out always have the most problems.
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Soils and national characters differ, but fairy tales are the same in plot and incidents, if not in treatment.
