Harry Hamlin Quotes
Quotes to Explore
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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Characters who don't suffer have no interest to me.
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The film industry is mostly about unidimensional characters.
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Some of the biggest movie stars in the world are essentially characters.
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All of my characters are less than perfect.
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I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
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For me, it's first about the characters. I look for a character who is intriguing and challenging and different from what I've done before.
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For me, 'Mommy' was about developing very humane characters that would be very credible and endearing and work onscreen.
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The best characters in books are always the difficult ones, and why would you want to fall in love with someone difficult? The ones I'd fall in love with are the ones I'd definitely keep out of a book.
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I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
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I don't mind playing bad guys, but I love having the opportunity to play all different types of characters.
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I think I can see more clearly now - about how the pattern of past experiences has shaped who I am and the characters I have played - and I'm grateful for that.
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Therefore only an utterly senseless person can fail to know that our characters are the result of our conduct.
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I'm an actor, and everything about me - the way I perceive things, the way I have seen the world - has been in relation to characters and how I would want to play something or not play it.
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Usually, the creating of the book happens while I'm writing the book. I start with Chapter One, with a few ideas and a handful of characters, and the book grows from there.
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I really feel that's part of why audiences go to movies now is to take you to a world you have no access to, whether it's the world of Avengers or Middle-earth or bars in Boston you would be afraid to go into. You see characters there - they aren't hobbits but they're close.
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I believe that an author who cannot control her characters is, like a mother who cannot control her children, not really fit to look after them.
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Anything that's different from your own realm of experience as a human being, whether it's driving a car or a boat, or using guns, anything that separates you from yourself and leads you more towards this character's existence is a big help.
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Maybe that's the way I'm private - I respect the privacy of "my" characters? Anyway, we're getting close to the whole "relatability" and "likability" thing.
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That's what acting is all about - it's all about bringing truth from your own life, and putting it into your characters. If you have the advantage of using your own life in your work, that's always the way to go.
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Developing a full length feature is much longer process than developing a short. With features you're typically dealing with more characters, plot, emotion, story arc, etc. - a short is the same only much... shorter!
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I want my outfit to match my mood.
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Aaron Echolls is one of the best characters that I've ever played.
