Joshua Sasse Quotes
Quotes to Explore
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My background playing soccer gave me a natural advantage over many of the American-born players.
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My own writing has perhaps more of an American flavor than a British one, but that's because the stories I've so far written have needed it. 'Empire State,' 'Seven Wonders' and 'The Age Atomic' are all very place-centric, where the setting itself is almost a character. But there is a universality to story that isn't just limited to science fiction.
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When you choose your friends, don't be short-changed by choosing personality over character.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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Character is always known. Thefts never enrich; alms never impoverish; murder will speak out of stone walls.
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It's never been important to be a huge star or to have some breakout role. If you're the lead, you get a lot more screen time and you get a lot more chances to develop that character more thoroughly than you would if you do it in a little supporting part.
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There's always something more to be accomplished with a character. Theater is a human experience. There's nothing shellacked or finished off about it. I guess that's why it always draws me back.
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To me the interesting main character is never the one without flaws.
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Most of the names in my books have secondary meaning. Sometimes they foreshadow; sometimes they tell you about the character's origin or back story.
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A character on stage who can present no convincing argument or information as to his past experience, his present behaviour or his aspirations, nor give a comprehensive analysis of his motives, is as legitimate and as worthy of attention as one who, alarmingly, can do all these things.
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Great ambition is the passion of a great character. Those endowed with it may perform very good or very bad acts. All depends on the principles which direct them.
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When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
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I'm left-brain dominant, so anxiety and nervousness don't affect me; most emotions don't.
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Authenticity is everything! You have to wake up every day and look in the mirror, and you want to be proud of the person who's looking back at you. And you can only do that if you're being honest with yourself and being a person of high character. You have an opportunity every single day to write that story of your life.
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In theater, you go in-depth with your character, so coming to the States, it was inevitable to dig into the pilots I liked. I knew what characters I was going to be reading for, so I would dissect them and really get involved with them.
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Well, it's difficult to fall in love with a character when you just read the pilot. You don't really know who the character is.
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I like to play kind of the girls-that-eat-worms kind of character.
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I feel strongly for the younger actresses when a lot of their career is based on how they look. That must be hard when your looks begin to go and you haven't built up the wealth of character parts to get into something else.
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Reason, I sacrifice you to the evening breeze.
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When I first came to Guangzhou in 1981, it seemed such a hard and dour place with everyone in Chairman Mao uniforms.
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I very much feel like I'm part of the makeup of 'Once Upon a Time.'
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In exorcism, a verbal argument can never do anything. You can't ever beat the entity in a verbal argument because that's what he wants. It's only through a confront, a non-verbal confront, that anything happens. It has to be non-verbal.
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You use your emotions to try and find them in the character that you're playing.
