Julia Bacha Quotes
At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.
Quotes to Explore
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But the process of making a film is not glamorous. Certainly not my films.
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What I'm trying to do is to write a story. If you take something from it, that's wonderful; if you don't, that's wonderful as well.
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In Montreal, I kept thinking, 'Pay attention: this is the Olympics! It only happens once every four years!'
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I never want to write a book just to tell a story. There is always something deeper going on.
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A fighter lives in his training camp, and I'm not always paying attention to what is happening on the outside. But I do know the Mexican people and the Mexican-American people in this country are very hard-working people. That's my only comment about Donald Trump.
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There's not a day in my life I'm not proud of being gay, but I just wasn't ready for that attention to be placed on it. I remember being on Oprah. Well, not on Oprah. Near Oprah. She started saying, 'Now, Nathan, you got all those girlie moves going down in 'The Birdcage,' where's all that coming from? You're so good at all that girlie stuff!'
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Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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The film industry is mostly about unidimensional characters.
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It would be great to make a movie that had the style of a great '30's film.
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Attention may sound dull, but it is an essential aspect of consciousness. In fact, it governs what it is that we turn out to be conscious of, and therefore plays a part in the coming into being of whatever exists for us.
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I believe that given the audience attention level, we could do an even more compelling 90 minutes.
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I pay attention to lyrics and I know what rap fans care about. I try to write for the average listener and I'm conscious of the mainstream without selling out.
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I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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Certain of Poe's tales possess an almost absolute perfection of artistic form which makes them veritable beacon-lights in the province of the short story.
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A film has its own life and takes its own time.
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When you're struggling to get a feature film off the ground, there's no big overarching tenure plan or anything like that.
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We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.
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If the gods do decide to wipe us out, is it such a bad thing? Maybe we've earned a little annihilation.
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If fate means you to lose, give him a good fight anyhow.
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English is not my first language.
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I saw myself as an electronic joy rider. I was like James Bond behind the computer. I was just having a blast.
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At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention.
