Harry Morgan (Harry Bratsberg) Quotes
Quotes to Explore
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I've known I wanted to do this ever since I was a little kid and I used to get in trouble at church for goofing off all the time: mocking the preacher, imitating people and the things they did. I later learned my mother used to be just as goofy as I was when she was younger. I mean, Eddie Murphy in 'Coming to America?' My hero.
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I can't wait to get on stage, because there you don't worry about whether you'll ever get married because your life is insane, or whether you'll ever have another boyfriend again, you don't worry about the typical boundaries of how your life has to be.
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Obstacles are things a person sees when he takes his eyes off his goal.
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One should live between extravagance and meanness. Don't save money by starving your mind. It is false economy never to take a holiday, or never to spend money for an evening's amusement or for a useful book.
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Beauty is when you can appreciate yourself. When you love yourself, that's when you're most beautiful.
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Be your true self. Because if you're not, there are consequences to be paid.
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A lot of black guys always ask me, 'Did Larry Bird really play that good?' I said, 'Larry Bird is so good it's frightening.'
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I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.
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I would be writing an essay that was due in the next day until about 1 A.M., and then I would be up at 6 A.M. and on a train to Birmingham to record 'The Archers'. It was pretty intense.
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I'd like to think I would have signed the Civil Rights bill and wouldn't have had any issues with it.
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I feel really privileged to be an actor, to be paid to do something I love.
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The sign had been put up out of suspicion and a guilty conscience: 'Military zone. Filming or photography prohibited'.
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Novelty is a new kind of loneliness.
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They would talk of nothing but high life, and high-lived company, with other fashionable topics, such as pictures, taste, Shakespeare, and the musical glasses.
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'You're no help,' he told the lime. This was unfair. It was only a lime; there was nothing special about it at all. It was doing the best it could.
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I like to investigate all different kinds of people, I guess, and find out what makes them who they are, and try to be honest in the portrayal, and truthful, and find out how to understand that person, how to communicate that person's experience.
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When you're a kid growing up, you say you want to make it to the Major Leagues, and when you reach that dream, that's what it's all about.
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I was in juvenile detention center, and I was in Rikers Island. And there was an anthology written by the inmates called 'The Pen,' and I - you know, I had a crush on a girl, and she left me when I was incarcerated. And I found this poem in this anthology that talked about having your heart broken and being incarcerated.
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My heart is forever in Giverny.
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Stability was overrated. Crises and adventures, on the other hand, could actually teach you something.
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'Take Me Apart' doesn't feel cohesive in a singular way but in a varied way. You can fixate on individual songs, and there are references from all over the place: Anita Baker to Bjork. I wanted to show all the facets of myself.
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It's not about me. It's about not having to be ashamed.
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Never insult seven men if you're only carrying a six shooter.
