Esperanza Spalding Quotes
On nights that I'm feeling a need to stretch personally and artistically, I tend to put together outfits that are very quirky, mismatched and over-the-top eclectic.
Quotes to Explore
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
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The connection I make with being young and growing up is, like, the feeling of not being crushed by the world. Having an idea, thinking you can do it.
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I'm the first to admit that the resolution of a hand feeling the belly doesn't compare with the resolution of a CAT scan scanning the belly, but only my hand can say that it hurts at this spot and not at this spot. Only my hand can say that.
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Out of all the clubs who were interested, I got the feeling that, deep down, Chelsea showed that they really wanted me. There were lots of reasons I came to Chelsea. They showed a real desire to get me to come here. I didn't have to think about it too much.
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Writing does produce a very unique satisfaction. There are times when I'm writing that it's frustrating or appalling or difficult, but when it goes well, it goes really well, and there is a feeling of rightness, like I'm doing the thing I was meant to do, almost in a mystical way, like I'm at an appropriate angle to the world.
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If you go to a movie and it's a great experience, the experience at the end of it is always like this sadness that it's over, that your time with these characters is finished. There's almost like an achy feeling that I have when I go to a movie that I love and it ends.
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The sound of the '90s, to me, is a combination of soul and street - it's a feeling.
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I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
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I would say both Western psychology and Eastern paths would recognize that we get caught up in feeling like a separate self and an unworthy self.
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It took a lot for me to be able to say that I'm a plus-size model or a model at all without feeling terror or this kind of panic, because it was something so unplanned.
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You have a feeling when you're recording, like, 'This is gonna translate really well,' and when you see it live, and it kind of proves that, that's an amazing feeling.
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I hate the feeling of having hair on my neck.
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A lot of people love to do affirmations first thing in the morning - to keep themselves feeling peppy and positive.
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I hate going into a room with people in it and the feeling of them staring. I find every moment excruciating.
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I tell my students that with a 200-page novel, you are going to write 100 pages that don't make the final cut. See it as an opportunity, although it took me a while to enjoy that 'lost in the woods' feeling.
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Feeling comfortable in my own skin makes me feel confident.
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It's everyone's responsibility to build up other women rather than tear them down. Be self-aware and proactive. It's not wrong to have those thoughts, but you can change how you respond to those feelings. Take a mental step back, and think about why you're feeling that way.
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It's hard not to take it personally when being wait-listed, passed over for a promotion, or losing a client to a competitor. But while feeling aggrieved may be an understandable reaction, it's not productive - it's not a good use of the experience.
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A feeling that was possibly generated by experiences in my previous work on cosmic rays; more likely it was inborn and was the reason why, as a young man, I went into the field of cosmic rays.
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I'm always saying something that's just the edge of something more.
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It's really difficult for fanatic churchgoers to understand God can't help me. I'm the only one who can help me.
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Labor history was pornography of a sort in those days, and even more so in these days. In public schools and in the homes of nice people it was and remains pretty much taboo to tell tales of labor's sufferings and derring-do.
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On nights that I'm feeling a need to stretch personally and artistically, I tend to put together outfits that are very quirky, mismatched and over-the-top eclectic.
