Nadia Comaneci Quotes
Quotes to Explore
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I'm not good with catty girls. I'm too laid-back.
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Ah, mastery... what a profoundly satisfying feeling when one finally gets on top of a new set of skills... and then sees the light under the new door those skills can open, even as another door is closing.
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I'm the first to admit that the resolution of a hand feeling the belly doesn't compare with the resolution of a CAT scan scanning the belly, but only my hand can say that it hurts at this spot and not at this spot. Only my hand can say that.
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Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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When you write as a woman, there's this feeling there's going to be a softness.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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Brad Pitt is amazingly talented and equally good-looking, too.
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Size matters in fiction, but so does lack of size. Everything else being equal, fat novels tend to be perceived as serious, very thin ones as more honest, more real. Writers address these age-old expectations by filling their big books with philosophy and cramming their little ones with feeling.
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One sees qualities at a distance and defects at close range.
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Movies are too literal.
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I guess if you have an original take on life, or something about you is original, you don't have to study people who came before you. You don't have to mimic anybody. You just have a gut feeling inside, an instinct that tells you what's right for you, and you can't do it in any other way.
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I don't put a ton of time into my on-stage style, largely because I'm dumb about clothes. But I have friends who are very smart about clothes, and they teach me things. For the show, I'm mainly concerned with feeling comfortable, being able to jump around and get wild.
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Little moments can have a feeling and a texture that is very real.
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When we talk about communities, we seldom discuss the margins. But for every person nestled comfortably in the bosom of a community, there is someone else on the outskirts, feeling ambivalent. Ambiguous. Excluded. Unwilling or unable to come more fully into the fold.
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I'm just the second Bodhi. I think there will be more. I have the feeling this is only the first re-imagination of 'Point Break'.
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I was told that when I'm dancing, I give off the feeling of a rainy day.
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When people recognize your work and want to reward you for what you've done, that's a good feeling.
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It's always the most fun to play that guy who, like, doesn't have a filter - that really speaks exactly what they're feeling.
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I don't have to be concerned about everybody else's character.
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I alone of English writers have consciously set myself to make music out of what I may call the sound of sense.
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We have both a weak self and a strong self; the two are completely different. If we allow our weak side to dominate, we will be defeated. The thought ,"I am still young and have a lot of time, so I can relax and take life easy" is a function of our own weakness.
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If I have a feeling of not trusting, I don't get too close.
