Paul Rust Quotes
Quotes to Explore
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During the 2008 election, I made clear to the Obama campaign that I don't think it's wise for me to force my personal political agenda on anyone.
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I was always under the impression that acting is an innate gift. One of the first things I heard them say at Koothu-P-Pattarai was that actors should realise the art of acting through their training.
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It was pride that changed angels into devils; it is humility that makes men as angels.
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I think as long as I have a creative outlet, I'm happy.
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A reality that is electronic... Once everybody's got a computer terminal in their home, to satisfy all their needs, all the domestic needs, there'll be a dismantling of the present broadcasting structure, which is far too limited and limiting.
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I'm still learning my craft, and I've been writing since I was nine.
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I learned about the market's power when I was traded to the Buffalo Bills for $100.
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I'm excited about 'Luke Cage' with Michael Colter, who plays Luke Cage. I play the villain, Cottonmouth. It takes place in Harlem. It'll just be amazing for people to get to see an African-American superhero, which there weren't any when I was growing up.
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I think a lot of theater actors that were great, like Walken or Glenn Close, later became film actors.
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Globalization is a fact of economic life.
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I'm always looking for a low-budget script with an interesting character to play.
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Look, I had a passion for comic books growing up.
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The ceaseless rain is falling fast, And yonder gilded vane,Immovable for three days past, Points to the misty main.
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It is not because the truth is too difficult to see that we make mistakes. It may even lie on the surface; but we make mistakes because the easiest and most comfortable course for us is to seek insight where it accords with our emotions - especially selfish ones.
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Every sentence stands on its own. Whether that's fair or not, that's kind of the way it is.
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Death is frightening, and so is Eternal Life.
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I was working at 'New Girl' when I found out there was going to be a 'Pitch' sequel.
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Historic Amsterdam, that old part you first see when you turn up at Centraal Station, may have its monuments, but it's also the most tawdry and overcrowded part of the city.
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One's life, from being an exterior thing, grows inwards. Its intensity stays the same; and, d'you know, it's most mysterious, the corners in which the joy of living can sometimes hide away.
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You choose your friends by their character and your socks by their color.
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Filmmaking is finding a piece of granite and you start to chip away and then you have the shape of a head, the shape of the arm, you can see the shape of the face and the face starts to gather character. You have to find it.
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When you're playing the same character for a decade it's natural that there are moments when you want to try something new.
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I want to give every single character the dimensions and complexity of a main character.
