Rudolf Arnheim Quotes
Both art and science are bent on the understanding of the forces that shape existence, and both call for a dedication to what is. Neither of them can tolerate capricious subjectivity because both are subject to their criteria of truth. Both require precision, order, and discipline because no comprehensible statement can be made without these. Both accept the sensory world as what the Middle Ages called signatura regrum, the signature of things, but in quite different ways.

Quotes to Explore
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I hate to lose. It's a bad feeling, but, I mean, it kind of gets you resettled, gets you back right.
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I think the tone of the show has certainly changed over the years, because it's really, really hard to do something different when you have a show going on as long as this has.
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Sales don't always have anything to do with good or brilliant or original. Sales are about appeal.
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With three kids you are just trying to survive. You can't be fastidious.
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I'm not a huge soccer fan, but I follow the sport. I played in high school, a little bit in college, played on various club teams most of my life, and all three of my sons are competitive soccer players and far better than I ever was.
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Success can allow you to try for greatness, can give you an opportunity to take a chance on something. I'm very blessed to have the success that I've had, and that's given me so many opportunities to work on being great.
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Fashion intersects a lot with art and film and music, and that was appealing to me. I read a bunch of fashion blogs and wanted to be part of the community.
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In particular, I established a reasonably accurate energy threshold for permanent displacement of a nucleus from its regular lattice position, substantially smaller than had been previously presumed.
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I think I was very lucky to have grown up with an artist's studio in the house. It was a kind of life that was possible. Yeah, it made it kind of harder because the standards were higher, but there was no pressure.
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The Russians are not as addicted to coffee as the Americans. We should work on that!
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Here's an idea: Spend two or three hours a day at least five days a week in front of a bookstore wearing a sandwich board with your bookcover on it while you chase and chat with anyone you can corral and who is willing to talk to you.
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I vividly remember Charles Bronson's face in 'Chino.' The western genre is screaming for a face like that.
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If you die in an elevator, be sure to push the Up button.
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Some people have theorized that I lurched to prove myself intellectually. But it was not any lurch. It was more a kind of awakening.
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'Job Killer.' Those are the two words you are most likely to hear uttered by most American CEOs when confronted with proposals to enact family-friendly work policies.
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Just listen to all this sweet, sweet music. I'm working the music.
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As that the walls worn thin, permit the mindTo look out thorough, and his frailty find. 1
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'Lord Arthur, may I present Lady Wednesday's Dawn?' Arthur bowed. He had already half-guessed the identity of their surprise guest. She had the hauteur that all the chief servants of the Trustees possessed. A kind of look that said, I am superior and you had better admit it.
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Looking at it now.It all seems so simple.We were lying on your couch.I remember.You took a Polaroid of us.Then discovered (then discovered)The rest of the world was black and white.But we were in screaming color.And I remember thinking…
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If only our eyes saw souls instead of bodies. How very different our ideals of beauty would be.
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A clever person is never bored, and a bored person is never clever.
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I write about the American dream: if you set your mind to do something, you can do it. My fans know they're getting the real thing.
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Both art and science are bent on the understanding of the forces that shape existence, and both call for a dedication to what is. Neither of them can tolerate capricious subjectivity because both are subject to their criteria of truth. Both require precision, order, and discipline because no comprehensible statement can be made without these. Both accept the sensory world as what the Middle Ages called signatura regrum, the signature of things, but in quite different ways.