Eva Green Quotes
Quotes to Explore
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Bruce always had to tell a lie. He was always living that lie. Caitlyn doesn't have any secrets.
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Some of the biggest movie stars in the world are essentially characters.
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All of my characters are less than perfect.
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I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
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Myself and David, we both love art. We have a lot of respect for Damien Hirst and Julian Schnabel, and we've met them both, and they're very interesting characters. I also have a lot of respect for the working women out there. As you know, it's not easy when you're looking after children and you have a career as well.
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I'd love to own Newstead, partly because it belonged to Lord Byron, but also to try to uncover what dark secrets really lie beneath.
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For me, it's first about the characters. I look for a character who is intriguing and challenging and different from what I've done before.
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Enter politics, and you enter the glass house; there are no secrets and no places to hide.
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For me, 'Mommy' was about developing very humane characters that would be very credible and endearing and work onscreen.
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I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
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I have no secrets.
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I don't mind playing bad guys, but I love having the opportunity to play all different types of characters.
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There are few secrets in football. So execute.
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I think I can see more clearly now - about how the pattern of past experiences has shaped who I am and the characters I have played - and I'm grateful for that.
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You know, I have some issues. But I just love to play different characters all the time, and I try not to repeat myself too much.
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Many things which are called 'secrets' are only things withheld from people until they can understand or effectively experience them.
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[Success] always starts with the material; it always starts with the truth and honesty of the characters that you read in the screenplay and that's rarely something that can be remedied if it's simply not there by the time you shoot the film. Thank God we had that.
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It's interesting in this day and age to do a film about political espionage and wiretapping. I don't think that those types of secrets that J. Edgar Hoover was able to obtain and keep for such a long period of time would be possible in today's world, with the Internet and WikiLeaks.
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The least glimmering or shade of acting, in man or woman, is a sure motive of envy in the rest; and, if their malice can't persuade the town's-people into a dislike of their performance, they'll cruelly endeavor to taint their characters.
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The internal system of an abuse victim differs from the non-abuse system with regard to the consistent absence of the effective leadership, the extreme rules under which the parts function, and the absenve of any consistent balance or harmony. Typically, the parts operate around outdated assumptions and beliefs derived from the childhood abuse, believing, for example, that it is still extremely dangerous to reveal secrets about childhood experiences which were endured.
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I believe if you are nice to people, children will follow. Likewise, if you are rude to people, children will follow.
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I like characters who have strong facades and then have secrets. They have cracks.
