Sarah Bernhardt Quotes
Once the curtain is raised, the actor is ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third.
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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The thing about Precious, she's so far from a Hollywood character. She's so honest and real, I definitely felt like I knew her.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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I love the idea of animation just because it removes the actor from the character, and you can be anything. I've been devouring 'Adventure Time' and 'Archer.' I'd love to get my hands dirty on either of those shows.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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If we promise as public officials, we must deliver. If we as public officials propose, we must produce.
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My own writing has perhaps more of an American flavor than a British one, but that's because the stories I've so far written have needed it. 'Empire State,' 'Seven Wonders' and 'The Age Atomic' are all very place-centric, where the setting itself is almost a character. But there is a universality to story that isn't just limited to science fiction.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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What I hate in fiction is when the author knows better than the characters what they should do.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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I've always considered myself a character actor.
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For me, as an actor, there is no commercial or independent or art cinema. For me, it's a character that is given by the director. And it is a task for me that I have to fulfill it to the best of my ability regardless of the kind of film that it is.
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The hero is changing in Bollywood, and I approach a hero's role like a character by focusing on its weaknesses. I feel the weaknesses of a character make them more alive, relatable, and human.
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There is a little bit of me in every part I do... I'm not really good enough to completely construct an all-new character.
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Carlos was a character, a character fabricated by Ilich Ramirez Sanchez, fabricated by the secret services of the epoch, fabricated by the governments of the epoch, by the radical groups of the epoch, by the communications media.
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I'll tell you what I really enjoy. We all go to the movies, we all watch television, we know what they're about, how they work. When the main character is a cop or a spy, it's very exciting, but I also very much enjoy when the main characters are nobodies - a trucker.
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Hollywood constantly wants to label you and type you into a certain category, 'Oh he's a comedy guy,' or the weirdo character guy or the villain.
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I'm just an actor. I am nothing special.
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There are a lot of authors in the world, so it's difficult to find a unique niche to present your take on things. That is always a challenge for any author.
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There has to be that zeal to do something new and surprise yourself and audiences. You have to stay true to your craft, and that should never be sidelined.
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Some actors don't even read the stage directions at all.
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Smart people tend to enjoy thinking about a lot of things at once. I'd say entrepreneurs should be serial monogamists; do one thing at a time until you make sufficient progress and then move on.
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Excessive dealings with tyrants are not good for the security of free states.
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Once the curtain is raised, the actor is ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third.
