Scott Westerfeld Quotes
Quotes to Explore
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We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.
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I wrote my first novel in eighth grade for a boy named Kenny on whom I had an unrequited crush and who sat behind me in social studies.
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I don't have my novel outlined, and I have to write to discover what I am doing. Like the old lady, I don't know so well what I think until I see what I say; then I have to say it over again.
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I love bookstores and booksellers. In my novel 'Dirty Martini,' I thanked over 3,000 booksellers by name in the back matter.
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The novel is a seduction; a reader has to be seduced.
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In addition I wanted to write a Southern novel, because I'm a Southerner.
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Writing a first novel was an arduous crash course. I learned so much in the six years it took me to write it, mostly technical things pertaining to craft.
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I could not bear to think that I wrote a five-hundred page novel just because I needed to love my father.
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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The strange thing about writing is that it's so easy to write a novel. It is really easy. But it's getting there to the point where it's easy that's hard. The hard part is to get there.
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Does one's integrity ever lie in what he is not able to do? I think that usually it does, for free will does not mean one will, but many wills conflicting in one man. Freedom cannot be conceived simply. It is a mystery and one which a novel, even a comic novel, can only be asked to deepen.
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When I write a novel, every word is mine. I welcome suggestions from my editor, but in the end, I make all the final decisions.
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In every first novel the hero is the author as Christ or Faust.
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Before I studied story, I was trying to write a novel, and it was terrible. It wasn't going anywhere, and I couldn't figure out what I was trying to do. It was really hard; much harder than I thought it was going to be. Now that I've studied story, I think I'd have a different approach and maybe I could actually get it done.
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We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.
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Novels are fictions and therefore they tell lies, but through those lies every novelist attempts to tell the truth about the world.
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History is present in all my novels. And whether I am directly talking about the sociological moment or just immersing my character in the environment, I am very aware of it.
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There are some varieties of fiction that I never touch - mystery stories, for instance, which I abhor, and historical novels. I also detest the so-called "powerful" novel - full of commonplace obscenities and torrents of dialog.
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I have often noticed that after I had bestowed on the characters of my novels some treasured item of my past, it would pine away in the artificial world where I had so abruptly placed it.
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The evil was not in either ideal; the evil was in the attempt to impose that ideal by force upon others.
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After The Beatles came on the scene everyone started putting on a Liverpudlian accent.
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Dare to ask, "Where is my novel too simple?"
