Sean O'Casey Quotes
Quotes to Explore
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Tori Amos had a major influence on how I craft words in a song.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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The first album I ever bought with my own money was 'Ten.' Every single song reminds me of my childhood.
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If someone had told me when I was a kid I'd get an ovation from Frank Sinatra! One time, I did a song called 'I Am A Singer', but I rewrote the words for Frank. I was in tears and, when he got up, so was he.
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I've had writing sessions with people, but I've never had one where you're just there, and you start making a song, and then it's too good to be true that something really cool will come out of this.
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I try to tell a story musically in a song.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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You want to reach people, but you also want to reach them in the most authentic way. You now have a mass market and an audience that's listening, but they're in love with a song that means absolutely nothing to you.
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You hear ten seconds of a song, and you know it's OutKast. There's a strangeness about it because it's catchy, but it's not just pop for the sake of pop. They're pushing the envelope.
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If it weren't for the rocks in its bed, the stream would have no song.
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Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with? Probably the one that I haven't hung most with recently.
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You know what, I am not gonna lie, that Taylor Swift 'Trouble' song? I can't resist that song. Her melodies are very catchy.
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I've been writing since I came to Nashville when I was 17. I've been blessed to have written with so many of the biggest names around. They took me under their wing and taught me the ways of writing. They saw something special in me, which feels great. Every song on my record is going to be original, and that's just a really cool feeling.
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The one hit song that I have tremendous gratitude for is Boots, because it has a life of its own. It's like being identified with a brand name.
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Great music is its own movie, already. And the challenge, as a music fan, is to keep the song as powerful as it wants to be, to not tamper with it and to somehow give it a home.
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When we did that album (Vol. 4) it was like one big Roman orgy-we'd be in the Jacuzzi all day doing coke, and every now and then we'd get up to do a song.
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I don't do filler songs. I don't get them. They don't make any sense to me. Why would I literally waste my time on a song that doesn't hold up to the same standards as the other songs on the album? I won't play it live.
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'Beneath the Piano' by The Devil Makes Three somehow reminds me of an old Johnny Cash song. The song is a lot of fun and tells a story.
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Like our title song “Clap”, I want to become a singer that receive the applause from all people.
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What I don't like is taking it to extremes and making all these intellectualizations about what basically is simple music. It's simple stream-of-consciousness stuff in my songs. What I'm trying to get across is misinterpreted.
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Folks in Alabama seem like folks in Georgia to me. I feel like you can just about combine the two.
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I mean, people don't know what race I am. They never know if I'm Hawaiian or Italian or Mexican or Spanish or white. I could play Jewish, I could play anything.
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Music is my 90% of my life and my biggest passion. I really don't have an interest in anything else.
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A lament in one ear, maybe, but always a song in the other
