Nick Tosches Quotes
When I was young, I kept trying to read 'Moby-Dick', and I couldn't get that far into it. And I kept thinking, 'Well, man, if I can't read the great American novel, I could never be a writer.' And this bothered me a great deal.
Quotes to Explore
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What other grown-up gets told how to do their job so often as a writer?
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I am not an autobiographical writer.
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I've basically worked as a journalist and a writer.
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In fact, I don't read newspapers any longer.
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We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.
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I was a writer for hire. I wrote to pay the bills.
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I never read about photography.
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My mother taught me to read.
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If a writer doesn't generate hostility, he is dead.
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My grandmother died in childbirth, and my great-aunt lived with us. She had bound feet. She never knew how to read or write.
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A writer has to live with a sense of honor.
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I don't have my novel outlined, and I have to write to discover what I am doing. Like the old lady, I don't know so well what I think until I see what I say; then I have to say it over again.
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I'm not a writer where I feel particularly blessed by great inspiration every day. I don't. I have to work really hard at it to try and say the things I'm concerned with.
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I've never experienced writer's block. When it's going really well, my body temperature goes up, and I'm flushed. I get quite delirious.
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I love bookstores and booksellers. In my novel 'Dirty Martini,' I thanked over 3,000 booksellers by name in the back matter.
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I would read all day if I could.
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When I was 17 or 18 I wanted to become a wine expert, and my parents wouldn't let me drink. So I was devastated. All I could do was read, and I read and I read. And I'd read something like, you know, 'Subtle hints of cassis.'
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There are three things that make a person a writer: inspiration, perspiration and desperation.
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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Cut like crazy. Less is more. I've often read manuscripts - including my own - where I've got to the beginning of, say, chapter two and have thought: “This is where the novel should actually start.” A huge amount of information about character and backstory can be conveyed through small detail. The emotional attachment you feel to a scene or a chapter will fade as you move on to other stories. Be business-like about it.
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There's a real art to telling a story in two hours, and that will always be something that people are very, very interested in.
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The glorious gifts of the gods are not to be cast aside.
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When I was young, I kept trying to read 'Moby-Dick', and I couldn't get that far into it. And I kept thinking, 'Well, man, if I can't read the great American novel, I could never be a writer.' And this bothered me a great deal.
