Sebastian Junger Quotes
All journalists hope that their work will inspire a broader conversation. I think that's just what journalism is.
Quotes to Explore
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I guess I went into journalism to save the world. I always felt through writing that I wanted to rotate the world slightly.
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I've basically worked as a journalist and a writer.
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Silence is also conversation.
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I'm not sophisticated when it comes to politics, when it comes to journalism.
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Being bi-racial and being from the country, I can talk to guys like Travis Frederick from Wisconsin and Doug Free from Wisconsin. And then I can go over and talk to Dez Bryant. I mean, think about the two different standpoints you need to have a real conversation with both, to really understand what they've been through.
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What a delightful thing is the conversation of specialists! One understands absolutely nothing and it's charming.
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Inject a few raisins of conversation into the tasteless dough of existence.
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I've walked away in the middle of a conversation and had no idea that was wrong until someone told me I was being rude.
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The larger truth, the universal truth that you can give in a novel, is far greater than what you can give through journalism.
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Generally the aesthetics of broadcast journalism seem to me to be incredibly primitive.
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In journalism, we recognize a kind of hierarchy of fame among the famous. We measure it in two ways: by the length of an obituary and by how far in advance it is prepared. Presidents, former presidents, and certain heads of state are at the top of the chain.
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Freedom of the press is not questioned when investigative journalism unearths scandals, But that does not mean that every classified state document should be made available to journalists.
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A girl who is interesting and educated and can spark conversation - I find that extremely sexy.
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The words we use have weight. Whether it's in a conversation with a friend or something said publicly on stage or broadcast. And as performers, we know that because that's why we choose the words we use - that's the whole point of comedy.
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I had a great conversation with Tom Waits, of all people.
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On Memorial Day, I was out floating on Lake Norman and came across Denny Hamlin. We struck up a conversation, and one of the first things we were talking about was how much it helped him when he started racing the Cup car and how much it helped his Nationwide program.
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'The Conversation' was the first film I edited on a flatbed machine - a KEM editing machine. I've been using Final Cut or the AVID for 12 years now, so I was interested in looking at this film and seeing if I could tell if it had been edited the old way.
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Directing plays lacked the immediacy and connection to real world events that journalism offered; journalism lacked the drama, theatricality and subjective storytelling of theater. It wasn't until I had the idea of making a documentary film about the 1992 presidential campaign that these two passions came together in 'The War Room.'
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There's no way to be prepared for a conversation with someone you don't know about something that means the world to you.
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the mighty main sea is the begetter of clouds and winds and rivers.
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Quiet people, people who aren't given to emotional outbursts, people who are economic with words - they're also fun to play, but you find yourself needing a laser precision in those roles. Otherwise you just sort of stand around, looking slightly brain-dead. You worry about being uninteresting.
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It's not every day you do something that's never been done before.
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If you have to tell a story without speaking, it's sort of like - I come from a dance background, so it's like a ballet where you have to tell a story with just your body. I think that's really interesting to have to tell a story with just your face and your mannerisms, and I'd like to tap into that world.
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All journalists hope that their work will inspire a broader conversation. I think that's just what journalism is.
