Slash (Saul Hudson) Quotes
I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.
Quotes to Explore
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I want to see sunrises in the mountains. You never get to see such things enough in a lifetime. I want to see more.
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I sort of wrongfully judged 'Mamma Mia!' for so long. I thought of it as a jukebox musical that I wasn't interested in. I was so wrong.
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I was just a kid, but I was a rotten kid.
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For me, it is very important to control a situation in defence. You can always score goals, but you have to add stability in the defence.
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It was kind of easier for me to do records that didn't take a year or two years of my life to write and to make.
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I don't have a disregard for my reader in humor pieces.
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If you keep on saying things are going to be bad, you have a good chance of being a prophet.
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We do have serious energy needs for the country, we are aware that natural gas is especially in demand because of its air quality benefits: 90 percent of new power plants have been natural gas-powered.
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Experimenting with different sounds is great, but when it comes down to it, you're still playing a guitar.
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I'm interested in personalities, not political parties.
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You don't fight ideas with bombs.
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Fame is a delicate and dangerous creature; I saw people who didn't honor it, who refused to take responsibility for it, get destroyed by it. I also saw that stardom in and of itself was empty.
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So if I get these actors for 30% of their price by coming in so late with an offer when they know they are not getting another offer then I do it this way.
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I think it's really important to be conscious of yourself and the world around you. For me, that meant reading a lot and reporting.
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If we're talking about masculinity and tenderness, I don't look at Clinton.
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The economic sense of possibility was so great when I was growing up that my parents had no question that I could do anything I wanted to do, even as a girl. I've always believed that the economics of a story intersects with the women's story - that stuff often happens at the time it happens because of the economy.
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It's the way the human brain works: when enough events occur in a pattern, we stop thinking and go into macro mode.
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I'm not afraid of stereotypes. There are some truths to it - but the problem is that people keep sort of owning that one thing to be the truth.
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Just being in the gym every day with someone with goals in common is special.
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No matter how ephemeral it is, a novel is something, while despair is nothing.
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I began to get calls from constituents, 'Do you think you can ever get on transportation?' So when there was a vacancy created, I worked very hard to get there.
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When something is dramatized, it provokes a much more emotive response than just hearing a story on the news.
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I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.
