Stephen Sondheim Quotes
After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
Quotes to Explore
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Tori Amos had a major influence on how I craft words in a song.
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There was a film called 'FM,' and we were asked to do the title song. And I said, 'Does it have to have any specific words?' And they said, 'No, it just has to be about FM radio.' It took a day or two to write.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I actually love doing comedy!
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As in any technological revolution, there will be winners and losers. On balance, everyone will come out ahead, although there will be particular companies that will not be able to cope with a new environment.
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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Wayne and Drake, it takes them so long to do a song. I understand why, because they want it to be perfect. But I think I can do a perfect song in 10 minutes.
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I still want to do a romantic comedy or a western or a gritty independent film... there's so much that I still want to do.
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The words we use have weight. Whether it's in a conversation with a friend or something said publicly on stage or broadcast. And as performers, we know that because that's why we choose the words we use - that's the whole point of comedy.
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What you hear about the band is always going to be more disturbing than any particular song.
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I'd like to do a completely off-the-wall collaboration. I would like one of my songs to be the hook to a rap song. That would be so much fun!
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The main difference between the Prague Spring and the Velvet Revolution was that the former was mostly the work of Communist party members and others who wanted to bring about 'socialism with a human face.'
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I decided I would go to NYU so I could get into the comedy world and have legit housing, and my parents would not have trusted investing in a straight-up comedy career.
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I was once sitting on a tube, and someone was playing my song so loudly through their ear phones next to me. I just stayed silent and chuckled to myself.
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Lyrics can be important, but ultimately, what pulls people in on a song is melody and the tracks and the way music feels.
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In the garden of tabloid delight, there is always a clean towel and another song.
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There are those special projects that don't ever feel like work but just a blessing to be a part of, and 'Revolution' is one of those projects.
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Taylor Swift dates guys so she can write a breakup song about them. I don't think she's dating for love - I think she's dating for creativity. So let's get her off the market and put her in dating detox. If she really wants love, she has to stop writing music about them.
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If you have a good riff with a vocal as well, then it becomes a devastating song. That's why people love riff-rock: it's the ultimate air guitar music.
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The New Romantic scene was so tiny. Although it got lots of mileage in the media, it was a really small club with only a core group of people. As it got more popular, kids started to come from the suburbs all dressed up, but it -really wasn't as big as it looked.
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And also, I know I have this responsibility or mission to show people, to encourage them to live their dream, too.
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I look in the mirror and think, 'I don't look like a rock star.' I talked about this with Bono and we looked at each other and decided we look like a pair of bricklayers.
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After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
