Stephen Sondheim Quotes
Quotes to Explore
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
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I didn't used to do shows, because I used to be so shy. We'd perform, and I'd be at the back, thinking of another song. I was so shy, I ain't never getting in front of the camera; I would never get on stage.
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For me, a perfect pop song is something like 'This Year,' by the Mountain Goats.
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I was once sitting on a tube, and someone was playing my song so loudly through their ear phones next to me. I just stayed silent and chuckled to myself.
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She’s a nice girl – I just feel very honoured that she wanted to sing my song. I used to scream for her in Times Square and now I work for her. When I was 13 she was the most provocative performer of my time. I love her so much! Britney certainly doesn’t need any freakin’ tips from me! Britney Spears is the queen of pop. I was learning from her.
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When we did that album (Vol. 4) it was like one big Roman orgy-we'd be in the Jacuzzi all day doing coke, and every now and then we'd get up to do a song.
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I try to find little things that you can do to move the song along and things that serve the song.
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The people that only listen to one song from a record and flip around that much, if that's the only way they listen to music, they're probably the kind of people that like music as something to drive to, you know?
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'All Over Me' is a song that I really got fired up the first time I heard it: it just really moved and it really had a lot of energy.
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In order to actually have a touchscreen in front of me and somehow still be connected to nature, I needed to be able to incorporate natural elements into the song structures. Because that's always been my song-writing accompaniment: nature.
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To me, a song like 'Demons' or the title 'Trouble Will Find Me' are acknowledgments that you can't really plan for life, and you can't plan for trouble.
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'Roc The Life' is a song I wrote with The Dream, who made 'Umbrella,' 'Single Ladies' and loads more.
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'Wild Horses' is my favourite Stones song. It's so beautiful. I don't mind that it was written for Bianca.
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I keep saying to everyone that one day I'll write a love song.
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Nashville is the business center. They forget that the bottom line of it all is still the song.
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In March of 1933 we witnessed a revolution in manner, in mores, in the definition of government. What before had been black or white sprang alive with color.
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We always write way more than we put on a record. We always write a lot-lot.
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The divorce is a regret of mine and my mum thinks that we should have stayed together. He's now remarried so there's no chance of us getting back together.
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So many good songs get written fast, because you know exactly what has to work.
