Steve Martin Quotes
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You want to be a bit compulsive in your art or craft or whatever you do.
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They want me on the television shows now because I did so well on Celebrity Assholes.
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My most persistent memory of stand - up is of my mouth being in the present and my mind being in the future: the mouth speaking the line, the body delivering the gesture, while the mind looks back, observing, analyzing, judging, worrying, and then deciding when and what to say next. Enjoyment while performing was rare - enjoyment would have been an indulgent loss of focus that comedy cannot afford.
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The streets of L.A. undulate over short hills as though a finger is poking the landscape from underneath ... laid over this crosshatch are streets meandering on the diagonal creating a multitude of ways to get from one place to another by traveling along the hypotenuse. These are the avenues of the tryst which enable Acting Student A to travel the eighteen miles across town to Acting Student B's garage apartment in nine minutes flat after a hot-blooded phone call at midnight.
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Movies always are open to being remade because times change so much, and the tempo of movies changes. I think of it like a James Bond. They can have different actors play the same role... I've had people come up to me and say, 'We want to remake 'The Jerk' with so and so.' And I say, 'Fine.' It just doesn't bother me. It's an honor actually.
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I'm trying to think of other ones. Oh, yeah, I'd say - somebody would buy something and we'd say, and because you are our hundredth customer today, you get a free paperback.
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I'm not Vegas. Places I play usually cost like $3 to get in, you know, and people are going: Gee, I've got $3, I think I'll throw it away.
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... you're nuts but you're welcome here.
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I would like a wine. The purpose of the wine is to get me drunk. A bad wine will get me as drunk as a good wine. I would like the good wine. And since the result is the same no matter which wine I drink, I'd like to pay the bad wine price.
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Comedy is not pretty.
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Unlike Ray Porter, his love is fearless and without reservation.
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I couldn't see his face, because the light came in from behind him and he was in shadow, and he said, "I am Picasso." And I said, "Well, so what?
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It's not the size of the nose that matters, it's what's inside that counts.
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I did a lot of things when I first started out. In order to be in show business, I juggled, I did magic tricks, cards tricks and I played the banjo.
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Lacy was just as happy alone as with company. When she was alone, she was potential; with others she was realized.
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I loved to make people laugh in high school, and then I found I loved being on stage in front of people. I'm sure that's some kind of ego trip or a way to overcome shyness. I was very kind of shy and reserved, so there's a way to be on stage and be performing and balance your life out.
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No art comes from the conscious mind.
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I believe Ronald Reagan can make this country what it once was... an Arctic region covered with ice.
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It's horrible for someone to listen to someone learning any instrument - when I was first learning the banjo, I used to have to go out and sit in the car, and even in the summertime I'd have to roll up the windows. Because you just couldn't practice a banjo or a fiddle with other people around. Unless they're being paid.
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The lure in art collecting and its financial rewards, not counting for a moment its aesthetic, cultural and intellectual rewards, is like the trust in paper money: it makes no sense when you really think about it. New artistic images are so vulnerable to opinion that it wouldn't take much more than a whim for a small group of collectors to decide that a contemporary artist was not so wonderful anymore, was so last year.
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The Apple Pie Hubbub was a significant novel for me, because that's when I first started using verbs.
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I really enjoy finding the right word, creating a good, flowing sentence. I enjoy the rhythm of the words.
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I got a flue shot and now my chimney works perfectly.
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I wish I could do a lot of things different. I'm not going to tell you what they are, but if I had a list of all my films right now, I'd go, 'Okay, I'll cross that one out and cross that one out and cross that one out and cross that one out.' Really. But I've made over 40 films. How can I not have some losers in there?