Van Morrison Quotes
There aren't any labels - all jazz means is improvization and you can never play a tune the same way twice. So jazz spills over into everything.
Quotes to Explore
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I'm not coming back to play.
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I mean, horror films in general put humans in these awful supernatural or horrible situations, but 'Cabin In The Woods' cranks it up a few notches and becomes outrageous and totally bizarre.
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I was taught to play that way when I was in high school and even before I got to high school.
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I make a mean cup of coffee, if you give me the right ingredients.
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There are times where I am trying to make the big play before I even catch the football.
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It is when we all play safe that we create a world of utmost insecurity.
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The best players will play. That's the way it will always be.
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I wonder if I maybe have a natural floatiness that comes through in everyone I play.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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If you get a guy that can play a couple positions, it helps you out a real lot.
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When I'm not working... I'm an actor! I'm auditioning! I like to hang out, have fun, drink, club, meet boys, look for boyfriends, play MASH, the usual.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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Spitfire asked me if I had a problem talking about Van Halen or Extreme. I really don't. There are people who are just going to want to know what it was like to play with Eddie.
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When I was a lad in my 20s, as carefree and debonair as any other underpaid newspaperman, I happened to be a golfer who could flirt with par fairly often, and I was adventurous enough in those days to play any known or unknown thief who showed up at Goat Hills for whatever amount he fancied.
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My drummer, bass player, and guitar player sing backgrounds. They play and sing. I can sing all the harmonies, but I can't do it alone.
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I want to coach because I love it. I don't want to sound hokey, but when you play for Frank McGuire, Dean Smith, and Pete Newell - they taught me a lot - I want to share what they taught me with a lot of people. I don't want to stop doing this.
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It seems like they played really hard against Sacramento, didn't they? That was their other opponent they had an option to play. It would seem like they want to choose us.
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We never paid to play, but we never got paid either, except for the very last set of gigs we did at The Starwood. We finally got paid. It was a Christmas weekend. We got paid fairly well I remember. The place was packed, but that was the only time we made a dime.
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Songwriting is such a sensitive energy. It's just a vibration of frequencies.
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There aren't any labels - all jazz means is improvization and you can never play a tune the same way twice. So jazz spills over into everything.
