Steven Soderbergh (Steven Andrew Soderbergh) Quotes
I just find it annoying that in these sequences of the fight scenes, traditionally, there's music trying to pump you up. I don't like that, personally, as an audience member. This just reflects my taste.
Quotes to Explore
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I actually think I have an audience member's sensibility about going to the movies.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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I don't have a director. The audience directs me.
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I believe that given the audience attention level, we could do an even more compelling 90 minutes.
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If I have any audience, they can know that anything I am in, I would go see, with the expectation of being really satisfied.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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Sustaining an audience with a web series is an impossible task.
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Anytime you get an audience that's paying attention, you enjoy it more.
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Interestingly, it is often the younger members of the audience who ask the most sophisticated questions.
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My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
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I wasn't trying to be a role model with 'The Dutchess,' but suddenly, seeing little girls in the audience with their moms made me think about what I do onstage a little bit more. I had to watch my mouth, because it can be filthy. It changed things for me.
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I have a genuine love affair with my audience. When I'm on stage they're not privileged to see me. It's a privilege for me to see them.
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I want to try something different in Hollywood, to tell the audience I am not just an actor star - I am an actor, too.
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If an American audience is given a serious musical theater piece that is well produced, dramatically gripping and wonderfully acted, they'll respond to it.
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For me it’s a way of reaching more audience and at the end of the day; that’s what it’s all about. I just want to sing and be heard, that’s what I love. With the House project for instance, I am going out to South Africa next month. I have a pretty cool following over there and it’s been brilliant.
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People think that their world will get smaller as they get older. My experience is just the opposite. Your senses become more acute. You start to blossom.
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With my own stuff, I've always held to the belief that it should take as long as it takes until it feels right.
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Capitalism proceeds through creative destruction. What is created is capitalism in a 'new and improved' form - and what is destroyed is self-sustaining capacity, livelihood and dignity of its innumerable and multiplied 'host organisms' into which all of us are drawn/seduced one way or another.
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He's right: They have to put madmen with madmen.
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I just find it annoying that in these sequences of the fight scenes, traditionally, there's music trying to pump you up. I don't like that, personally, as an audience member. This just reflects my taste.
