Ralph Fiennes Quotes
In the best material, you always should be able to somehow make a case for a story to be transposed to any other time.
Quotes to Explore
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My mom really inspired me. She has always taught me it's not about us, it's about what we can give back.
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They don't call it the Internet anymore, they call it cloud computing. I'm no longer resisting the name. Call it what you want.
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For me, the greatest good fortune I have being raised by actors is I came in knowing that a career is the ebb and flow.
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Years ago, when I was writing westerns, other writers who were friends of mine wanted me to collaborate with them. And it just didn't work.
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Natural gas is a better transportation fuel than gasoline, so if that's the case, it's cheaper, it's cleaner and it's a domestic resource.
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I went to bed last night dreaming of tuna melts. I love food.
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I think one of the great things about being a musician is that you never stop learning.
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The important thing isn't the house. It's the ability to make it. You carry that in your brains and in your hands, wherever you go... It's one thing to carry your life wherever you go. Another thing to always go looking for it somewhere else.
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For the first time, the weird and the stupid and the coarse are becoming our cultural norms, even our cultural ideal.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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When I grew up, I thought I was Jewish. Now I don't consider myself Jewish. I consider myself a Kabbalist.
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More and more what we're licensing, we're licensing on a global basis - even though the studios aren't orchestrated to sell that way yet, my bet is that they will.
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Since the end of the Cold War, metropolitan elites everywhere have identified progress and modernity with the cornucopia of global capitalism, the consolidation of liberal democratic regimes and the secular ethic of consumerism.
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I was working for a Swedish TV show - I'm Swedish - who basically did kind of spectacular stories. It was almost like CBS '60 Minutes,' but a Swedish version where we actually did travel quite a lot. After a while, I realized that travel is the most fun part of this, so why not do it for a longer time and just go off and explore?
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Being funny with a funny voice is more my comfort zone, a broader character that I try to humanize, a kind of silly or wacky persona that I try to fill in.
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Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.
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In cartoons, in movies, time passes differently. There are flashbacks and flashfowards.
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Many use Rs 500 and Rs 1,000 notes for daily transactions like going to theatres, malls, and trading purpose. People like these are unnecessarily put to inconvenience.
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I don't have any respect at all for the scum-bags who went to Canada to avoid the draft or to avoid doing their fair share.
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There is a mercy which is weakness, and even treason against the common good.
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I was like, 'I don't know if I could be an Olympian...' But my dad really influenced me to stay and be in the Olympics.
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Americans, perhaps more than most people, have pondered the question of who they are and what their country is.
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I did a one-off episode of 'The New Normal' for Ryan Murphy, and that was the first time I played a gay role.
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In the best material, you always should be able to somehow make a case for a story to be transposed to any other time.
