Yolande Cornelia "Nikki" Giovanni, Jr. (Nikki Giovanni) Quotes
In law school they teach you that everything is a contract; well, in poetry everything is a narrative.
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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Music was a way of rebelling against the whole rah-rah high school thing.
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Even if a university should turn out to be another version of a school, I had decided I could lose myself afterwards as an anonymous particle of the London I already loved.
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I didn't live at school, I lived where I could and studied what I enjoyed studying. I took what I wanted from that education but was making my first record at the same time. I don't know anyone from school. I was just leading a different life. I was really interested in writing and other things.
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The Obama administration came into Utah and said, 'We're not going to listen to what the U.S. Supreme Court said. 'We, the federal government, are going to recognize marriages in the state of Utah and Utah state law explicitly does not recognize as marriage,' and that was really, in my view, an abuse of power.
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'School of Rock' was just once in a lifetime things; I want to be a doctor, actually. I'd go an do the sequel if they asked me to.
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My freshman year at Harrison High School, I saw a journalism class where students were putting out a weekly newspaper. It touched a responsive chord in me.
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We owe our public servants, from school teachers to state employees, a sustainable and well-funded retirement that they can count on.
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I was in high school, and when you get to be 14, 15, you start to feel a little more like your own person so that you can assert your adulthood a little bit.
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I used to be one of the lead actors of a theatre group called Hetu when I was in medical school. Prithvi Theatre was our stomping ground. I'd got many positive reviews.
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I could be happy doing something like architecture. It would involve another couple of years of graduate school, but that's what I studied in college. That's what I always wanted to do.
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I never wanted to be a director. I came into this industry by the little door, so I never learned anything; I never went to school. Actors will tell you I'm very precise. I just have the intuition of doing things.
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I got out of grad school in 2000. I was about 26 years old. I've always said that I was late to acting because I didn't really start doing it in a focused way until I was in my early 20s.
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Tales of cheating on school and college tests are rife. There have been instances where teachers have given students test answers in order to make themselves look good on their performance reviews. Mentors who should be teaching the opposite are sending a message that lying and cheating are acceptable.
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I don't want to say I took myself too seriously, but I put a lot of pressure on myself coming out of school. I saw so many people leave the business behind, certain opportunities disappear for folks who had to go into other professions. That kind of terrified me. As a result, I wanted things to happen really quickly.
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In graduate school, Aubrey Berg at the Cincinnati Conservatory gave me the chance to perform with the best in the country in Broadway caliber productions.
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At school, I got teased because I was so thin and awkward-looking.
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One with the law is a majority.
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Regulatory failings mean that the cost of breaking the law is far below that of obeying it - businesses are happier to pay fines than to control pollution.
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I didn't get an athletics scholarship at a major school.
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When I graduated from high school, I had artistic and academic scholarships, and I was trying to figure out what to do. I decided to audition for the Royal Academy of Dramatic Arts, Julliard, and the National Institute of Dramatic Arts in Sydney, Australia.
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I don't know about you, but where I went to school, Money Management 101 wasn't offered. Instead we learned about the War of 1812, which of course is something I use every single day.
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I review books as a day job, and through the years I've come to view the contemporary memoir as, almost always, a saga of victimization, sometimes by others, sometimes by the self, and sometimes by illness or misfortune, leading, like clockwork, to healing and redemption.
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In law school they teach you that everything is a contract; well, in poetry everything is a narrative.
