Anthony Oliver "A. O." Scott (A. O. Scott) Quotes
The camera has an uncanny ability to capture the world as it is, to seize events as they happen, and also to conjure visions of the future. But by the time the image reaches the eyes of the viewer, it belongs to the past, taking on the status of something retrieved.
Quotes to Explore
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I see my daft surname as a positive thing. It first dawned on me that I had a comical name when someone called me 'Fishface' on my first day at school. I've heard all the fish jokes since then, many times over.
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I've never been that comfortable talking about myself or about acting.
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I actually started playing in little cafes around New York, and I have a lot of good friends of mine who are musicians who are struggling in New York.
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The ADA is the living testament to our Nation's commitment that we will always stand up for our neighbors' right to live fulfilling lives.
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I did every job under the sun from bartending to ushering to temping.
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So, it's like: I'm an OK singer; I'm an OK guitar player and you put them together and... it's just OK.
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I'm an honest, open father.
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Especially in the day and age now with social media and cameraphones and things like that, you always have to act like you're being watched.
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To be honest, if it wasn't for my daughter, I don't think I would have gotten out of the situation that I was in before 'Idol' because I am a domestic violence survivor.
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I thought of learning cinematography, so I assisted a cinematographer for an ad.
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In the year 3000, everything will be instant.
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We interpret our agreement with the IMF - our participation in the IMF's system of cooperation - as a borrowing agreement. The IMF sees it as an economic policy agreement. This is not in our interest.
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There's some quality you get when you're not totally comfortable. When you're not doing what you're used to, you could completely fall on your face. You could completely blow it.
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The problem with binge-watching on Netflix is that you lose three days of your life.
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I am not interested in producing fiction for Indian television at all, the reason being that I don't understand the medium. I can be a judge or a host; I can do that as an individual. But to produce TV content, you have to know the game.
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So if I get these actors for 30% of their price by coming in so late with an offer when they know they are not getting another offer then I do it this way.
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Loss of hope rather than loss of life is what decides the issues of war. But helplessness induces hopelessness.
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I don't like Botox. It makes a very strange forehead.
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I played Miley Cyrus' grandma on 'Hannah Montana,' and the first time I was on, they said, 'We love having veterans like you on because she's like a little sponge, and she's really appreciative of all the veterans that are coming on the show, and we just love that you're teaching her.'
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. . . life is sometimes life and sometimes only a drama, and one must learn to distinguish t'other from which . . .
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Know your target audience. Always keep them at the forefront of your mind. Understand their lifestyle and what they are looking for. Gather their feedback and use it to tailor your approach. The voice of the consumer is an essential input into the development of any fashion business or blog.
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My writing's like a journey. I'll know some of the stops ahead of time, and I'll make some of those stops and some of them I won't. Some will be a moot point by the time I get there. You know every script will have four to six basic scenes that you're going to do. It's all the scenes where your characters really come from.
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I've always like the time before dawn because there's no one around to remind me who I'm supposed to be, so it's easier to remember who I am.
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The camera has an uncanny ability to capture the world as it is, to seize events as they happen, and also to conjure visions of the future. But by the time the image reaches the eyes of the viewer, it belongs to the past, taking on the status of something retrieved.
