Xaviera Simmons Quotes
Everything I make is with intention. I'm not very haphazard with my artist work, although I wish I was sometimes. I'm very conscious of the conversations I'm pushing about different threads and themes around landscape and characters that exist - how it's pictured, who's pictured it, who's owned it and who's been able to inhabit certain spaces. I have other interests as well. I'm really obsessed now with going to gay male dance clubs. I find those thrilling. I'm interested in what future characters can come.
Quotes to Explore
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When I wrote 'Hatchet,' I knew that I was not re-inventing the wheel. That was never my intention. My goal was to make an '80s-style slasher flick that actually holds up. Basically, I wanted to make the movie that I wanted to see and pay no mind to current trends or conventions.
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I have absolutely no intention of marrying Jacqueline Kennedy Onassis.
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Characters who don't suffer have no interest to me.
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The film industry is mostly about unidimensional characters.
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When you left the house today, you had the intention of putting clothes on and you did. You didn't try to put your pants on today. You simply put them on. The same has to hold for all of our intentions. We don't try to be more loving partners. We make the intention, and we act on it.
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Some of the biggest movie stars in the world are essentially characters.
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Our intention is to really explore this transition and, beyond that, explore the particular things that someone comes up against when they're gay or lesbian.
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All of my characters are less than perfect.
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I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
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Myself and David, we both love art. We have a lot of respect for Damien Hirst and Julian Schnabel, and we've met them both, and they're very interesting characters. I also have a lot of respect for the working women out there. As you know, it's not easy when you're looking after children and you have a career as well.
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For me, it's first about the characters. I look for a character who is intriguing and challenging and different from what I've done before.
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I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
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'The Oath' seems like the perfect project for me, coming off the back of a big-scale adventure film like 'Everest.' I want to delve into an intimate, dark and psychological world where the characters are claustrophobic.
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Sometimes, some things have to settle, and you have to think about the intention of it.
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We don't talk about courage much in our everyday conversations, but I am comfortable with it now.
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I think I can see more clearly now - about how the pattern of past experiences has shaped who I am and the characters I have played - and I'm grateful for that.
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You know, I have some issues. But I just love to play different characters all the time, and I try not to repeat myself too much.
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As a Southerner, I love obstacles for my characters.
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Therefore only an utterly senseless person can fail to know that our characters are the result of our conduct.
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What Democrats call 'nuanced,' most people refer to as 'stupidity.'
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The Lampoon started in 1970, and I began writing freelance for them around the end of 1971, and then all through '72. They hired me in '73, and I left early in '81. I did everything from low puns to being editor-in-chief.
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I enjoy being an actor largely; in part at least, because you get to walk a mile in another person's shoes, you get to see what their skin is like. The other good thing is you get to leave it.
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Everything I make is with intention. I'm not very haphazard with my artist work, although I wish I was sometimes. I'm very conscious of the conversations I'm pushing about different threads and themes around landscape and characters that exist - how it's pictured, who's pictured it, who's owned it and who's been able to inhabit certain spaces. I have other interests as well. I'm really obsessed now with going to gay male dance clubs. I find those thrilling. I'm interested in what future characters can come.
