E. Lockhart Quotes
I hate those endless descriptions of a heroine's physical attributes . . . it really bothers me how in books it seems like the only two choices are perfection or self-hatred. As if readers will only like a character who's ideal--or completely shattered.
Quotes to Explore
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Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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I hate being called an 'icon.' I just don't like it. That's all there is to it.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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I love the idea of animation just because it removes the actor from the character, and you can be anything. I've been devouring 'Adventure Time' and 'Archer.' I'd love to get my hands dirty on either of those shows.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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What I find so interesting about people is the choices they make, and how that effects their behavior, their sense of self and their relationships.
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A book is a gift you can open again and again.
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After 20 years, a million written words, and nine rejected novels, I finally landed a book contract.
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Love me or hate me, both are in my favour. If you love me, I will always be in your heart, and if you hate me, I will be in your mind.
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When you choose your friends, don't be short-changed by choosing personality over character.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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I've always been fascinated by the brain. I wrote a lot about brain-tech in my first non-fiction book, 'More Than Human.' So when I decided to write science fiction, that was the technology I gravitated towards.
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I always wear the shoes of the character a week before going on set; the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
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I really hate bureaucracy and the idea that I'm not a free person.
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If there is any principle of the Constitution that more imperatively calls for attachment than any other it is the principle of free thought, not free thought for those who agree with us but freedom for the thought that we hate.
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For the 'Riddick' character, I try to get as ruthless as possible, and I want to be a machine.
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In a play, you know where you start and end and all the stops you have to do, but in television, you can't construct this carefully planned out arc for your character. You often get a script and you're shooting it two days later, and you don't know what's going to happen next. It's one of the harder things that I've done.
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I wanted to go to Portland because it's a really good book town.
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The problem with being a writer is that some readers tend to think that anything that comes out of a character's mouth is you talking.
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The past is really almost as much a work of the imagination as the future.
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It is a mistake to do nothing just because you think you can only do a little.
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I hate those endless descriptions of a heroine's physical attributes . . . it really bothers me how in books it seems like the only two choices are perfection or self-hatred. As if readers will only like a character who's ideal--or completely shattered.
