Virginia Woolf Quotes
And all the lives we ever lived and all the lives to be are full of trees and changing leaves.
Quotes to Explore
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I was 21 in 1968, so I'm as much a child of the '60s as is possible to be. In those years the subject of religion had really almost disappeared; the idea that religion was going to be a major force in the life of our societies, in the West anyway, would have seemed absurd in 1968.
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If Clark Gable had a Facebook page, there would have been a 'Gone with the Wind 2.'
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I'm always on the phone because I'm usually not with the people I want to be with.
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The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.
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Passive fatalism can never be the role of a revolutionary party, like the Social Democracy.
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But though cognition is not an element of mental action, nor even in any real sense of the word an aspect of it, the distinction of cognition and conation has if properly defined a definite value.
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Banking gives you a glimpse into what makes companies succeed and what makes companies fail.
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I'm most excited about all of the non-currency uses of the block chain's ledger-ordering ability. I have no idea which ones will turn out to be successful, but I'm glad all of that experimenting is happening.
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In Hollywood, the women are all peaches. It makes one long for an apple occasionally.
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I think life gives you lemons, and the thing that I'm working on doing is not watering it down, not putting sugar in it. Just drink it straight. The more you can take life head on... it's gonna make you a better person, and then you have nothing left to be afraid of. And what an awesome way to live.
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I would describe my look as 'ladylike rock chick.'
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What you wear onstage is a reflection of your artistry.
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One of the secrets of a successful life is to be able to hold all of our energies upon one point, to focus all of the scattered rays of the mind upon one place or thing.
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There's only one set of books I've written that I knew was going to be more than one book at the beginning, and those are the 'Missing Link' books.
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If I could do what Hilary Mantel does, I would probably do that. She is more intelligent and a better researcher and knows more what she's about than I do.
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One of the things I learned as a young semiotics nerd was that if you have plot moving forward, no matter how banal the facts of it, simply the fact that the plot is rolling forward makes you wonder what's going to happen next, which creates suspense. So you can control peoples' attention simply by having things move forward in a story.
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Metaphors have a way of holding the most truth in the least space.
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My instinct is to write under the cloak of an opaque historical setting.
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I'll have the music, and then I'll just turn the microphone on, press Play and Record and sing. And whatever comes out ends up being the melody.
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In 'Tree of Life,' the cinematography records a small story, a celebration of the courage of everyday life. But it does it so up close and so effortlessly that it has the effect of elevating the intimacy of the story to a grand scale.
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Caresses, expressions of one sort or another, are necessary to the life of the affections as leaves are to the life of a tree. If they are wholly restrained, love will die at the roots.
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I then walk off into the swamp along the path of logs and tree-trunks, picking my way cautiously, now glancing right and left on the foliage, and then surveying carefully the surface of the smooth round log I am walking on.
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In my grandparents' time, it was believed that spirits existed everywhere - in trees, rivers, insects, wells, anything. My generation does not believe this, but I like the idea that we should all treasure everything because spirits might exist there, and we should treasure everything because there is a kind of life to everything.
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And all the lives we ever lived and all the lives to be are full of trees and changing leaves.
