Tahereh Mafi Quotes
I am a being comprised of letters, a character created by sentences, a figment of imagination formed through fiction.
Quotes to Explore
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For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.
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Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.
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I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
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What works for me is knowing the character in an emotional sense. I wish I was more logical but it doesn't work for me like that. I need quite a lot of time; it's why I always worry when I'm doing more than one thing at a time. I hope that some sort of magic will kick in.
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I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
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I'd like to do something where there's a strong female character and some action. I've done a few stunts in the past.
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When you choose your friends, don't be short-changed by choosing personality over character.
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When we were subjected to a vicious character assassination campaign orchestrated by senior White House officials and championed by their allies in the right-wing echo chamber, Hillary reached out to us. Her counsel during that tumultuous period was as timely as it was wise.
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My books are character-driven. They're not driven by the story.
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I will go to my grave being known as Marge Gunderson. It'll be on my gravestone if I have one. I don't mind that, because it was a great character.
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I am a professional actor, and I don't go about moralizing about what the character does. Otherwise, seriously, why be an actor? You're not making some kind of social statement. That's not what actors do.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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The thing that intrigued me about 'Breaking Bad' from day one was the idea of taking a character and transforming him.
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To me the interesting main character is never the one without flaws.
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Knowledge is a polite word for dead but not buried imagination.
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There is no longer any such thing as fiction or nonfiction; there's only narrative.
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I liked the idea of creating a new pop-culture, folkloric hero character that I created with 'Django' that I think's gonna last for a long time. And I think as the generations go on and everything, you know, my hope is it can be a rite of passage for black fathers and their sons. Like, when are they old enough to watch 'Django Unchained'?
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I must confess that my imagination refuses to see any sort of submarine doing anything but suffocating its crew and floundering at sea.
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The world is not run by thought, nor by imagination, but by opinion.
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Your nature is the Buddha.
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I was the kid who liked making other people laugh, so maybe the comedy came before the acting.
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The nice thing about doing a pop opera - in the way that doing, say, 'Miss Saigon' or 'Les Miz' would be - is that, because the convention is set from the beginning that this is an opera and everything is sung, there is never that feeling of 'Why is this person bursting out into song?' because the whole thing is sung.
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To love someone is to isolate him from the world, wipe out every trace of him, dispossess him of his shadow, drag him into a murderous future. It is to circle around the other like a dead star and absorb him into a black light.
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I am a being comprised of letters, a character created by sentences, a figment of imagination formed through fiction.
