Tony Kushner Quotes
I write plays and movies, I live and work at the borderline between word and image just as any cartoonist or illustrator does. I’m not a pure writer. I use words as the score for kinetic imagistic representations.
Quotes to Explore
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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Early in 1986, the World Health Organization in Geneva still regarded AIDS as an ailment of the promiscuous few.
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My daughter Mira's first media experience was with the first-generation iPad more than five years ago. Her speech therapist used this with her to encourage her to talk, as she was speech delayed. I watched as she immediately navigated the iPad naturally, with such ease.
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I tried to play rugby but was never very good.
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Suning Appliance has no problem of financial risk. Do you think I'm risky? I'm definitely not risky.
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We are not interested in the possibilities of defeat. They do not exist.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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Just as good books give me the joys of being alive, bad novels depress me, and as I notice this sentiment coming from the pages, I stop. I also do not hesitate to walk out of a movie house if the film is bad.
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Your barber always knows everything that goes on in the town, doesn't he?
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Every character I've ever played, I always try to take him right to the edge and not allow him to fall over, but directors have a tendency to pull me back a little bit.
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We feel like 'Lost' deserved a real resolution, not a 'snow globe, waking up in bed, it's all been a dream, cut to black' kind of ending. We thought that would be kind of a betrayal to an audience that's been on this journey for six years. We thought that was not the right ending for our show.
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I had a monumental idea this morning, but I didn't like it.
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If you compare me to an actor, I'm probably one of the best boxers in the profession. But if you compare me as a boxer, I'm probably one of the best actors.
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I ate better in Liberia than I did in Ohio.
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I'm not a singer. In 'Bye Bye Birdie,' I think I was the sad girl who sits on the park bench during 'Put on a Happy Face.'
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I definitely want to be an inspiration or a role model for all the little girls out there or anyone out there that wants to break stereotypes. I feel like I'm breaking stereotypes with what I'm doing. I'm not the typical fighter, and there's a lot of people out there that won't do something just because they don't fit the stereotype.
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There is a quite a lot of effort involved but I find action sequences some of the quickest to write and the most fun.
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I should have a better CV, and that's knocked me into believing that I have to grab these opportunities while I can.
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A lot of girls in L.A. just stand in the corner wondering 'Who's gonna talk to me? Who am I gonna diss?'
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I have great expectations for our company; pretzels were just the beginning.
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Look, I'm 40, I'm single, and I work in musical theater - you do the math!
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And other operators aren't so special syntactically, but weird in other ways, like 'scalar', and 'goto'.
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Nothing is beautiful, only man: on this piece of naivete rests all aesthetics, it is the first truth of aesthetics. Let us immediately add its second: nothing is ugly but degenerate man - the domain of aesthetic judgment is therewith defined.
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I write plays and movies, I live and work at the borderline between word and image just as any cartoonist or illustrator does. I’m not a pure writer. I use words as the score for kinetic imagistic representations.
