Tom Stoppard Quotes
Quotes to Explore
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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It just seemed like an unattainable dream to go down to Los Angeles and to land a professional working, acting gig on a show that you really love with a character you really connect with. That doesn't seem possible; that seems insane.
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The test of character is having the ability to meet challenges.
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When you are doing a long scene, you have dialogue and interaction to narrate the character. But making sense out of facial expression and reacting is difficult. Having said that, I think such challenges are good for learning.
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I've never judged anybody by how they look or how they dress. I basically judge them on their character. And that's how I lead my own life.
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Character in a saint means the disposition of Jesus Christ persistently manifested.
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This character in the film, these things that he says which sound like advice and wise things, they are very common for Orientals. It's all the tradition.
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So they've actually - it's not that her character is a singer, but she had ambition to do that at an earlier time in her life. So I've actually sung two or three times now on the show.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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'Seize the Story' takes readers all the way through the process of writing fiction, from beginning to end. Every element, from dialogue to setting, plotting to character creation, is laid out and illustrated with examples. But the tone of the book is not that of a dry writing manual - it's definitely written for teenagers.
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I played a character in 'Ransom' who was as evil as they come.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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I've always considered myself a character actor.
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At the Norman Invasion, the Saxon thanes were themselves humbled in turn; the manors were given a more legal character and transferred to favourites of William the Conqueror.
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For me, as an actor, there is no commercial or independent or art cinema. For me, it's a character that is given by the director. And it is a task for me that I have to fulfill it to the best of my ability regardless of the kind of film that it is.
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It is only by drawing often, drawing everything, drawing incessantly, that one fine day you discover to your surprise that you have rendered something in its true character.
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Things have character. So I'm interested in how the character of the thing might function as a protagonist in what isn't a narrative.
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I wore a thong and a bra and a wig. Those things hurt. I mean, thongs? Like, they dig in. It takes a tough man to be a woman.
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It is our moral obligation to give every child the very best education possible.
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It's impossible to give it all you got and fail unless you fail to give it all you got to do the impossible.
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You can't win a marathon without putting some bandaids on your nipples!
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It takes character to withstand the rigours of indolence.
