Tom Stoppard Quotes
Quotes to Explore
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I've heard people tell me there's never been a gay character like Agron on TV before, and some fans have even thanked me because they now feel like they have a gay action hero, and it's very endearing to hear that kind of stuff. But I just played him the way he was and tried to do right by the character.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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Don't worry so much about your self-esteem. Worry more about your character. Integrity is its own reward.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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It just seemed like an unattainable dream to go down to Los Angeles and to land a professional working, acting gig on a show that you really love with a character you really connect with. That doesn't seem possible; that seems insane.
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The test of character is having the ability to meet challenges.
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When you are doing a long scene, you have dialogue and interaction to narrate the character. But making sense out of facial expression and reacting is difficult. Having said that, I think such challenges are good for learning.
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I've never judged anybody by how they look or how they dress. I basically judge them on their character. And that's how I lead my own life.
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Character in a saint means the disposition of Jesus Christ persistently manifested.
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This character in the film, these things that he says which sound like advice and wise things, they are very common for Orientals. It's all the tradition.
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So they've actually - it's not that her character is a singer, but she had ambition to do that at an earlier time in her life. So I've actually sung two or three times now on the show.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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'Seize the Story' takes readers all the way through the process of writing fiction, from beginning to end. Every element, from dialogue to setting, plotting to character creation, is laid out and illustrated with examples. But the tone of the book is not that of a dry writing manual - it's definitely written for teenagers.
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I played a character in 'Ransom' who was as evil as they come.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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I've always considered myself a character actor.
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At the Norman Invasion, the Saxon thanes were themselves humbled in turn; the manors were given a more legal character and transferred to favourites of William the Conqueror.
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For me, as an actor, there is no commercial or independent or art cinema. For me, it's a character that is given by the director. And it is a task for me that I have to fulfill it to the best of my ability regardless of the kind of film that it is.
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I am in no mood to be deceived any longer by the crafty devil and false character whose greatest pleasure is to take advantage of everyone.
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I always work with a goal - and the goal is to improve as a player and a person. That, finally, is the most important thing of all.
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I go with the flow. Whatever music you play for me, I'll dance.
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Commanding goodness and forbiding to do evil (are) for the amendment and correction of society and the common folks.
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'Carrie Diaries' was one of the scripts that was sent my way, and it was instantly something I wanted to work on. It was very charming, and there's a lot of heart to it. It was touching and nostalgic and relatable, and it validates so many coming-of-age issues in an open and honest way. I think it speaks to real life.
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It takes character to withstand the rigours of indolence.
