Susanne Langer Quotes
... the image of feeling created by artists, in every kind of art -- plastic, musical, poetic, balletic -- serves to hold the reality itself for our labile and volatile memory, as a touchstone to test the scope of our intellectual constructions.
Quotes to Explore
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Acting was something I always wanted to try. I just didn't know how, or I didn't know when the door was gonna be open for me to try it. But it finally opened up for me when I did 'Turn It Up', and ever since then I've been in love with doing films.
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The first decent building I did with my own practice was a chapel in Taiwan.
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I am not a prisoner of conscious, but people try to make me one sometimes. It is both a gift and a curse. It's a high honour but can create limitations - I have to be fluid.
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It's all part of my journey - I've done a lot of stupid things, but you learn by your mistakes.
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As many of you know I travel a good bit and do not get to see my friends and family as much as I would like.
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A quarterback is always going to be the most valuable player on a football field because he touches the ball every single offensive play.
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As a writer, I absorb stories, allow them to churn within my own head and heart - often for years - until I find a way of telling them that fits both my time and temperament.
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When I was living in New York and didn't have a penny to my name, I would walk around the streets and occasionally I would see an alcove or something. And I'd think, that'll be good, that'll be a good spot for me when I'm homeless.
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Bitcoin has so much potential, and that's why the believers are trying to facilitate its use as a currency, so people use to buy things and spread it around more.
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Children refuse to compromise. Adults learn how.
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I think that Amanda Nunes and Julianna Pena and Valentina Shevchenko... they've showed how much this level has gone up in female fighting in a very short period of time.
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I think I'm an American writer writing about Latin America, and I'm a Latin American writer who happens to write in English.
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I'm not really a food connoisseur.
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Whenever I start to really think about what I'm playing, I may play it better musically, but the feeling isn't there.
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A family has its own rituals and its own superstitions.
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I like Tel Aviv; I live in Tel Aviv, but our right of return is Jerusalem. We did not return after 2,000 years for Tel Aviv but for Jerusalem.
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I studied at UC Santa Cruz before going on to do a grad program at UCLA. Santa Cruz was like an awesome hippie summer camp. I got to take a vacation from reality and hang out on beaches and in forests.
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I just don't like to do a lot of the normal things expected of other artists. I'm not trying to be difficult; I'm just trying to stick with what it is I want to do.
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I go to an all-Hawaiian school, and we learn everything about being Hawaiian. We have a really deep respect for the water and the land. We say, 'mauka to makai,' mountains to ocean. I believe if you take care of the ocean, the ocean will take care of you in return.
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It is just a wonderful, wonderful time to be alive and to be able to be part of the ever-growing spiritual awareness that is happening around the world.
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The time has come when we should have a critical, official, monumental edition of all of Rizal's works, with illustrations contributed by Luna about other artists of ours... When every Filipino home shall contain such a national work, stimulative of autonomous sentiments...then the Philippines will be spiritually and practically independent.
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We are not going to toy with our religion or any other. Nor are we going to barter. We are here to extend our hands to build peace and harmony.
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It is advertising that enthrones the customer as king. This infuriates the socialist...it is the crossing of the boundary between West Berlin and East Berlin. It is Checkpoint Charlie, or rather Checkpoint Douglas, the transition from the world of choice and freedom to the world of drab, standard uniformity.
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... the image of feeling created by artists, in every kind of art -- plastic, musical, poetic, balletic -- serves to hold the reality itself for our labile and volatile memory, as a touchstone to test the scope of our intellectual constructions.
